Byron Roberts
- Producer
- 6 on MovieCove
What are Byron Roberts' films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 5
Light 2 · Serious 3 · Dark 1
Grounded 5 · Stylized 1 · Heightened 0
Gentle 2 · Charged 3 · Intense 1
Steady 3 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 1
Slow burn 5 · Even-paced 1 · Relentless 0
Casual 5 · Engaged 1 · Full focus 0
Easy watch 4 · Affecting 1 · Heavy 1
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet1
- Tragic3
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Byron Roberts' films?
As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Byron Roberts' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 6 with a MovieCove page.

The Gong Show Movie(1980)
Midcredits score: 12th percentile of all films
The Hard Ride(1971)
Midcredits score: 20th percentile of all films
Young Dillinger(1965)
Midcredits score: 14th percentile of all films
Baby Face Nelson(1957)
Midcredits score: 53rd percentile of all films
From Hell It Came(1957)
Midcredits score: 2nd percentile of all films
Hot Rod Girl(1956)
Midcredits score: 13th percentile of all films
Career shape
Across their 6 MovieCove titles from 1956 to 1980.
How do Byron Roberts' films land?
Their typical MovieCove film has a Midcredits score in the 14th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 16th percentile for acclaim.
- 50th to 74th1
- Below 25th5
Shape of the crowd
4 of their 6 titles are Mixed.
- Universally Panned1
- Crowd Pleaser1
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Byron Roberts work with?
People who share at least 2 of Byron Roberts' MovieCove titles, grouped by what they did on them; Robert Swan shares the most, 2.
Actors
- Robert SwanShared titles: The Hard Ride (1971), From Hell It Came (1957)See all 2 shared titles with Robert Swan

- Anthony CarusoShared titles: Young Dillinger (1965), Baby Face Nelson (1957)See all 2 shared titles with Anthony Caruso

- John HoytShared titles: Young Dillinger (1965), Baby Face Nelson (1957)See all 2 shared titles with John Hoyt

Producers
- Al ZimbalistShared titles: Young Dillinger (1965), Baby Face Nelson (1957)See all 2 shared titles with Al Zimbalist


