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Susan R. Rodgers

Producer and writer · Chicago, Illinois, USA

Susan R. Rodgers began her producing career with the short film "Love for $17.50," based on the story by legendary author Charles Bukowski. She simultaneously produced a documentary on the history of American independent cinema for the Los Angeles Film Festival. In 1999, Susan produced her first feature film, "Grownups", starring John Stamos ("Full House") and Daniel London ("Minority Report"). Susan now has more than a dozen features under her belt, including the critically acclaimed, psychological thriller, "Dahmer", which was nominated for three Independent Spirit Awards, including the John Cassavetes Award. In 2007, Susan's film "Day on Fire" premiered at the Toronto International Film Festival. The film starred Academy Award winning actress Olympia Dukakis ("Away from Her") and Martin Donovan ("Saved!" and "Insomnia"). Susan also co-produced the comic book turned live action film, "El Muerto", starring Wilmer Valderrama ("That '70s Show") and Tony Plana ("Ugly Betty"). Susan recently produced "Otis E." starring Kevin Durand ("3:10 to Yuma" and the upcoming "Robin Hood") and Peter Stormare ("Fargo"). Susan most recently produced "Reach For Me," starring Academy Award nominees Seymour Cassel ("The Royal Tenenbaums") and Alfre Woodard ("The Family That Preys"). The film is currently in limited theatrical release. In addition to her busy film career, Susan has produced numerous live events for the American Film Institute (AFI), the Los Angeles Film Festival, the Academy of Television Arts & Sciences (Emmys 2008 / Product Sponsor Napoleon Perdis), and the ESPN ESPY Awards. Her television credits include dozens of promos for ESPN and ABC Sports.

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Biography from IMDb.

From
Chicago, Illinois, USA
Works as
Producer and writer
Titles
9 on MovieCove · 11 credits in all
TMDB popularity, last 38 days to Oct 27Down 14% in 30 days

What are Susan R. Rodgers' films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 3 · Dark 5

Grounded 9 · Stylized 0 · Heightened 0

A split, not a type: Gentle 1 · Charged 3 · Intense 5

Steady 4 · Shifting 4 · Whiplash 1

Straight-faced 6 · Some laughs 2 · Funny 1

Slow burn 4 · Even-paced 4 · Relentless 1

Casual 2 · Engaged 7 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 3 · Heavy 5

Resolved 6 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Dread
4
Melancholic
3
Contemplative
2
Hopeful
2
Other
6

How their films end

  • Happy3
  • Bittersweet3
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Susan R. Rodgers' films?

As of October 24, 2026, 7 of their 9 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Susan R. Rodgers' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 9 with a MovieCove page.

  • Taken Too Far(2017)

    Executive Producer · Writer

    Midcredits score: 18th percentile of all films
  • Lucky Dog(2015)

    Producer

    Midcredits score: 10th percentile of all films
  • Taken Away(2014)

    Producer

    Midcredits score: 23rd percentile of all films
  • Midcredits score: 31st percentile of all films
  • Reach for Me(2008)

    Producer

    Midcredits score: 38th percentile of all films
  • The Dead One (not in the MovieCove catalog yet)(2007)

    Co-Producer

  • Dark Town(2004)

    Producer

    Midcredits score: 3rd percentile of all films
  • Monster Man (not in the MovieCove catalog yet)(2003)

    Line Producer

  • Gacy(2003)

    Producer

    Midcredits score: 7th percentile of all films
  • Dahmer(2002)

    Co-Producer

    Midcredits score: 28th percentile of all films
  • My Best Friend's Wife(2001)

    Producer

    Midcredits score: 14th percentile of all films

Career shape

A full career of 8 titles from 2001 to 2017.

By role

only this rolewith another role
Writing1 of 8: 0 only writing, 1 with another roleProducing8 of 8: 7 only producing, 1 with another role · typical Midcredits score16th

By decade

2000s6 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Susan R. Rodgers' films land?

Their typical MovieCove film has a Midcredits score in the 18th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 18th percentile for acclaim.

Acclaim · how much people like their films

18thpercentile
Typical film, the median of 9

Approval · how many liked their films

20thpercentile
Typical film, the median of 9

Reach · how many have seen their films

30thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 25th to 49th3
  • Below 25th6

Reviewers score the dialogue 36/100 and the plot and story 32/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Susan R. Rodgers work with?

People who share at least 2 of Susan R. Rodgers' MovieCove titles, grouped by what they did on them; David Birke shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers