- Writer and producer
- 3 on MovieCove
What are Nelson Rodrigues' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Morality.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
Light 0 · Serious 0 · Dark 3
Grounded 1 · Stylized 1 · Heightened 1
Gentle 0 · Charged 1 · Intense 2
Steady 0 · Shifting 2 · Whiplash 1
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 1 · Engaged 2 · Full focus 0
Easy watch 0 · Affecting 0 · Heavy 3
A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Nelson Rodrigues' films?
As of October 24, 2026, none of Nelson Rodrigues' 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Nelson Rodrigues' titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Midcredits score: 49th percentile of all films
The Kiss(1981)
Midcredits score: 92nd percentile of all films
A Dama do Lotação(1978)
Midcredits score: 53rd percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1978 to 1981.
How do Nelson Rodrigues' films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 57th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
2 of their 3 titles are Mixed.
- Crowd Pleaser1
- Mixed2
Reviewers score the plot and story 48/100 in their films, across 3 reviewed titles; fans 57, detractors 22. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Nelson Rodrigues work with?
People who share at least 2 of Nelson Rodrigues' MovieCove titles, grouped by what they did on them; Doc Comparato shares the most, 2.
Writers
- Doc ComparatoShared titles: Bonitinha Mas Ordinária ou Otto Lara Rezende (1981), The Kiss (1981)See all 2 shared titles with Doc Comparato
Actors
- Xuxa LopesShared titles: Bonitinha Mas Ordinária ou Otto Lara Rezende (1981), The Kiss (1981)See all 2 shared titles with Xuxa Lopes
Editors
- Raimundo HiginoShared titles: The Kiss (1981), A Dama do Lotação (1978)See all 2 shared titles with Raimundo Higino
Producers
- Luiz Carlos BarretoShared titles: The Kiss (1981), A Dama do Lotação (1978)See all 2 shared titles with Luiz Carlos Barreto
