- Director, producer and writer
- 7 on MovieCove
What are Roberto Rodríguez's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 6
Light 5 · Serious 1 · Dark 1
A split, not a type: Grounded 4 · Stylized 1 · Heightened 2
A split, not a type: Gentle 5 · Charged 1 · Intense 1
Steady 4 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 4
Slow burn 4 · Even-paced 3 · Relentless 0
Casual 5 · Engaged 2 · Full focus 0
Easy watch 6 · Affecting 0 · Heavy 1
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy6
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Roberto Rodríguez's films?
As of October 24, 2026, 2 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Roberto Rodríguez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 7 with a MovieCove page.
La princesa hippie(1969)
Midcredits score: 66th percentile of all films (provisional, few ratings)
El gato con botas(1961)
Midcredits score: 35th percentile of all films
La caperucita roja(1960)
Midcredits score: 47th percentile of all films
Las nenas del 7(1955)
Midcredits score: 12th percentile of all films (provisional, few ratings)
El seminarista(1949)
Midcredits score: 72nd percentile of all films
La mujer que yo perdí(1949)
Midcredits score: 85th percentile of all films
¡Viva mi desgracia!(1944)
Midcredits score: 83rd percentile of all films (provisional, few ratings)
Career shape
Across their 7 MovieCove titles from 1944 to 1969.
How do Roberto Rodríguez's films land?
Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 73rd percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th2
- Below 25th1
Shape of the crowd
3 of their 7 titles are Crowd Pleasers.
- Cult Classic2
- Crowd Pleaser3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Roberto Rodríguez work with?
People who share at least 2 of Roberto Rodríguez's MovieCove titles, grouped by what they did on them; Fernando Martínez shares the most, 4.
Writers
- Carlos González DueñasShared titles: Las nenas del 7 (1955), El seminarista (1949), La mujer que yo perdí (1949)See all 3 shared titles with Carlos González Dueñas
- Charles PerraultShared titles: El gato con botas (1961), La caperucita roja (1960)See all 2 shared titles with Charles Perrault
- Paulino MasipShared titles: El seminarista (1949), ¡Viva mi desgracia! (1944)See all 2 shared titles with Paulino Masip
Actors
- Pedro InfanteShared titles: El seminarista (1949), La mujer que yo perdí (1949), ¡Viva mi desgracia! (1944)See all 3 shared titles with Pedro Infante
- Armando GutiérrezShared titles: El gato con botas (1961), La caperucita roja (1960)See all 2 shared titles with Armando Gutiérrez
- Luis Manuel PelayoShared titles: El gato con botas (1961), La caperucita roja (1960)See all 2 shared titles with Luis Manuel Pelayo
- SantanónShared titles: El gato con botas (1961), La caperucita roja (1960)See all 2 shared titles with Santanón
Composers, cinematographers and editors
- Fernando MartínezShared titles: Las nenas del 7 (1955), El seminarista (1949), La mujer que yo perdí (1949), ¡Viva mi desgracia! (1944)See all 4 shared titles with Fernando Martínez
- José W. BustosShared titles: La princesa hippie (1969), El gato con botas (1961), La caperucita roja (1960)See all 3 shared titles with José W. Bustos
- Sergio GuerreroShared titles: La princesa hippie (1969), El gato con botas (1961), La caperucita roja (1960)See all 3 shared titles with Sergio Guerrero
- Ezequiel CarrascoShared titles: Las nenas del 7 (1955), ¡Viva mi desgracia! (1944)See all 2 shared titles with Ezequiel Carrasco