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Bob Roe

Producer · Born November 14, 1957 (68) · Los Angeles County, California, USA

Born
November 14, 1957 (68)
From
Los Angeles County, California, USA
Works as
Producer
Titles
15 on MovieCove · 29 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 63 days to Oct 26Down 48% in 30 days

What are Bob Roe's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Themes

share of theme weight
Self
33%
Survival
25%
Bonds
16%
Morality
16%
Society
10%
Friendship2 titles, browse their movies with this theme

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 3 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Hopeful
3
Tense
2
Warm
1
Dread
1
Contemplative
1
Other
2

How their films linger

Hopeful4 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bob Roe's films?

As of October 24, 2026, 9 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for Bob Roe's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

29 credits, 15 with a MovieCove page.

  • Playing House(2014)

    Show 1 episode · Director

    Midcredits score: 75th percentile of all shows

  • Community(2009)

    Show 1 episode · First Assistant Director

    Midcredits score: 96th percentile of all shows

  • You, Me and Dupree(2006)

    First Assistant Director

    Midcredits score: 23rd percentile of all films

  • Dancing in Twilight (not in the MovieCove catalog yet)(2005)

    Director

  • Second String(2002)

    Producer

    Midcredits score: 41st percentile of all films

  • The Rats (not in the MovieCove catalog yet)(2002)

    Producer

  • Monster! (not in the MovieCove catalog yet)(1999)

    Producer

  • A Face to Kill For (not in the MovieCove catalog yet)(1999)

    Producer

  • The Con (not in the MovieCove catalog yet)(1998)

    Producer

  • Perfect Crime (not in the MovieCove catalog yet)(1997)

    Producer

  • The Road to Galveston(1996)

    Producer

    Midcredits score: 73rd percentile of all films

  • Tall, Dark and Deadly(1995)

    Producer

    Midcredits score: 13th percentile of all films

  • Seduced by Evil (not in the MovieCove catalog yet)(1994)

    Producer

  • Linda (not in the MovieCove catalog yet)(1993)

    Producer

  • Treacherous Crossing (not in the MovieCove catalog yet)(1992)

    Producer

  • Homewrecker (not in the MovieCove catalog yet)(1992)

    Supervising Producer

  • Love Kills (not in the MovieCove catalog yet)(1991)

    Producer

  • Return to the Blue Lagoon(1991)

    First Assistant Director

    Midcredits score: 20th percentile of all films

  • Last Flight Out (not in the MovieCove catalog yet)(1990)

    First Assistant Director

  • White Water Summer(1987)

    Associate Producer · First Assistant Director

    Midcredits score: 50th percentile of all films

  • Police Academy 3: Back in Training(1986)

    Second Assistant Director

    Midcredits score: 24th percentile of all films

  • Wild Horses(1985)

    Second Assistant Director

    Midcredits score: 39th percentile of all films

  • To Live and Die in L.A.(1985)

    Second Assistant Director

    Midcredits score: 91st percentile of all films

  • Surviving (not in the MovieCove catalog yet)(1985)

    Second Assistant Director

  • Bad Boys(1983)

    Second Assistant Director

    Midcredits score: 86th percentile of all films

  • Things Are Tough All Over(1982)

    Second Assistant Director

    Midcredits score: 35th percentile of all films

  • Poltergeist(1982)

    Second Assistant Director

    Midcredits score: 89th percentile of all films

  • The Red Pony (not in the MovieCove catalog yet)(1973)

    as Jimmy

  • Willy Wonka & the Chocolate Factory(1971)

    as Peter Goff (uncredited)

    Midcredits score: 96th percentile of all films

Career shape

A full career of 28 titles from 1971 to 2014.

Biggest box office

White Water Summer (1987)

$301K worldwide

Highest rated

White Water Summer (1987)

Midcredits 50th

Film career

By role

only this rolewith another role
Acting2 of 28: 2 only acting, 0 with another roleDirecting2 of 28: 2 only directing, 0 with another roleProducing13 of 28: 12 only producing, 1 with another roleOther crew12 of 28: 11 only other crew, 1 with another role · typical Midcredits score45th

By decade

1970s2 · acting1980s8 · crew1990s12 · crew2000s5 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Bob Roe's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 13; across a limited sample of 4 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 4

Approval · how many liked their films

43rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

31stpercentile
Typical film, the median of 4

Midcredits score across 15 titles, by percentile

  • 75th and up6
  • 50th to 74th2
  • 25th to 49th3
  • Below 25th4

Shape of the crowd

7 of their 15 titles are Mixed.

  • Universally Loved2
  • Crowd Pleaser5
  • Broadly Agreed1
  • Mixed7

Most divisive · producer

The Road to Galveston (1996)

75th percentile spread · 16% rated it 4 or lower

Most loved · actor

Willy Wonka & the Chocolate Factory (1971)

Midcredits 96th · 86% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.