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Howard Emmett Rogers

Writer · Died August 16, 1971, aged 81

Born
July 13, 1890
Died
August 16, 1971 (aged 81)
Works as
Writer
Titles
20 on MovieCove · 40 credits in all
TMDB popularity, last 39 days to Oct 28Down 4% in 30 days

What are Howard Emmett Rogers' films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category

Light 13 · Serious 6 · Dark 1

Grounded 10 · Stylized 10 · Heightened 0

Gentle 9 · Charged 11 · Intense 0

Steady 13 · Shifting 6 · Whiplash 1

Straight-faced 7 · Some laughs 8 · Funny 5

Slow burn 2 · Even-paced 17 · Relentless 1

A split, not a type: Casual 12 · Engaged 5 · Full focus 3

Resolved 17 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Joyful
8
Romantic
8
Thrilling
8
Warm
5
Other
11

How their films end · 6 with a twist

  • Happy16
  • Bittersweet3
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Howard Emmett Rogers' films?

As of October 24, 2026, 6 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Howard Emmett Rogers' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

40 credits, 20 with a MovieCove page.

  • The Hour of 13(1952)

    Writer

    Midcredits score: 47th percentile of all films
  • Two Dollar Bettor (not in the MovieCove catalog yet)(1951)

    Story

  • Calling Bulldog Drummond (not in the MovieCove catalog yet)(1951)

    Screenplay

  • Easy to Wed(1946)

    Original Film Writer

    Midcredits score: 52nd percentile of all films
  • Maisie Goes to Reno(1944)

    Additional Writing · Writer

    Midcredits score: 46th percentile of all films
  • Gambler's Choice(1944)

    Story

    Midcredits score: 26th percentile of all films
  • The Adventures of Tartu(1943)

    Screenplay

    Midcredits score: 78th percentile of all films
  • Assignment in Brittany (not in the MovieCove catalog yet)(1943)

    Screenplay

  • Midcredits score: 80th percentile of all films
  • Eyes in the Night(1942)

    Screenplay

    Midcredits score: 68th percentile of all films
  • Crossroads(1942)

    Story

    Midcredits score: 68th percentile of all films
  • Billy the Kid(1941)

    Story

    Midcredits score: 30th percentile of all films
  • Stronger Than Desire (not in the MovieCove catalog yet)(1939)

    Additional Writing

  • The Chaser (not in the MovieCove catalog yet)(1938)

    Story

  • Arsène Lupin Returns(1938)

    Screenplay · Story

    Midcredits score: 68th percentile of all films
  • Too Hot to Handle(1938)

    Writer

    Midcredits score: 64th percentile of all films
  • Libeled Lady(1936)

    Screenplay

    Midcredits score: 95th percentile of all films
  • Midcredits score: 29th percentile of all films
  • The Unguarded Hour(1936)

    Screenplay

    Midcredits score: 66th percentile of all films
  • Whipsaw (not in the MovieCove catalog yet)(1935)

    Screenplay

  • Rendezvous(1935)

    Writer

    Midcredits score: 62nd percentile of all films
  • Evelyn Prentice(1934)

    Adaptation

    Midcredits score: 76th percentile of all films
  • Tarzan and His Mate(1934)

    Adaptation

    Midcredits score: 83rd percentile of all films
  • Whirlpool (not in the MovieCove catalog yet)(1934)

    Story

  • The Mystery of Mr. X (not in the MovieCove catalog yet)(1934)

    Screenplay

  • Midcredits score: 69th percentile of all films
  • Don't Bet on Love (not in the MovieCove catalog yet)(1933)

    Screenplay

  • Hold Your Man(1933)

    Screenplay

    Midcredits score: 74th percentile of all films
  • The Nuisance (not in the MovieCove catalog yet)(1933)

    Original Story

  • Dancers in the Dark (not in the MovieCove catalog yet)(1932)

    Writer

  • The Lottery Bride (not in the MovieCove catalog yet)(1930)

    Dialogue

  • The Bad One (not in the MovieCove catalog yet)(1930)

    Adaptation · Screenplay

  • No, No, Nanette (not in the MovieCove catalog yet)(1930)

    Adaptation

  • The Forward Pass (not in the MovieCove catalog yet)(1929)

    Writer

  • Gypsy of the North (not in the MovieCove catalog yet)(1928)

    Story

  • Speedy(1928)

    Writer

    Midcredits score: 94th percentile of all films
  • Paradise for Two (not in the MovieCove catalog yet)(1927)

    Story

  • The Canadian (not in the MovieCove catalog yet)(1926)

    Screenplay

  • So's Your Old Man (not in the MovieCove catalog yet)(1926)

    Adaptation

  • Tin Gods (not in the MovieCove catalog yet)(1926)

    Screenplay

Career shape

A full career of 36 titles from 1926 to 1952.

By role

only this rolewith another role
Writing34 of 36: 34 only writing, 0 with another role · typical Midcredits score68thOther crew2 of 36: 2 only other crew, 0 with another role

By decade

1920s6 · crew1930s18 · crew1940s9 · crew1950s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Howard Emmett Rogers' films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 20; across their 20 films with reception data, the typical film sits in the 66th percentile for acclaim.

Acclaim · how much people like their films

66thpercentile
Typical film, the median of 20

Approval · how many liked their films

67thpercentile
Typical film, the median of 20

Reach · how many have seen their films

44thpercentile
Typical film, the median of 20

Midcredits score across 20 titles, by percentile

  • 75th and up6
  • 50th to 74th9
  • 25th to 49th5

Shape of the crowd

None of their 20 titles divides audiences: 12 are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser12
  • Broadly Agreed5

Reviewers score the dialogue 59/100 and the plot and story 47/100 in their films, across 20 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Howard Emmett Rogers work with?

People who share at least 2 of Howard Emmett Rogers' MovieCove titles, grouped by what they did on them; Jack Conway shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers