
Kasey Rogers
Actor · Died July 6, 2006, aged 80 · Morehouse, Missouri, USA
Kasey Rogers (born Josie Imogene Rogers; December 15, 1925 – July 6, 2006) was an American actress, memoirist and writer, best known for playing the second Louise Tate in the popular U.S. television sitcom Bewitched. Rogers was born Josie Imogene Rogers. She moved with her family to California at the age of two. As a child, her prowess at the game of baseball led her friends to nickname her Casey (after the famous poem "Casey at the Bat"). While under contract to Paramount, she used the stage name Laura Elliot. In 1955, she began working with a press agent in Hollywood, Walter Winslow Lewis III (aka "Bud"). It was Bud who suggested that she use the nickname with her maiden name and changed the "C" to a "K". They later married and had four children. Rogers began work under the names Laura Elliott and Laura Elliot for Paramount Pictures. She appeared in movies such as Special Agent, Samson and Delilah, Silver City, Paid in Full, Two Lost Worlds, and, in perhaps her best-known film role, Alfred Hitchcock's Strangers on a Train, playing Miriam, the scheming, adulterous wife of Guy Haines (Farley Granger). In the mid-1950s, Rogers began working on television. She guest-starred on various series, such as Sergeant Preston, Stage 7, The Restless Gun, The Lone Ranger, Bat Masterson, Maverick, Yancy Derringer, Perry Mason, as Francie Keene in the Wanted: Dead or Alive episode "Railroaded", and many other programs. In 1964 she landed a starring role on Peyton Place, portraying the character Julie Anderson, the mother of Betty Anderson (Barbara Parkins). She left the series in 1966 to replace Irene Vernon in the role of Louise Tate on Bewitched. In 1972, she performed as Louise Tate for the final time in the episode "Serena's Youth Pill". She then retired from acting, appearing in only a few guest television spots and making appearances on the Bewitched edition of E! True Hollywood Story.
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Biography from TMDB.
- December 15, 1925
- July 6, 2006 (aged 80)
- Morehouse, Missouri, USA
- Actor
- 22 on MovieCove · 58 credits in all
What are Kasey Rogers' films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 2 · Serious 3 · Dark 2
Grounded 2 · Stylized 4 · Heightened 1
Gentle 2 · Charged 3 · Intense 2
Steady 5 · Shifting 2 · Whiplash 0
Straight-faced 5 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 6 · Relentless 0
A split, not a type: Casual 4 · Engaged 2 · Full focus 1
Easy watch 5 · Affecting 1 · Heavy 1
Resolved 6 · Open-ended 1 · Ambiguous 0
Roles they play
- Shapeshifteras Linda Prescott in Denver & Rio Grande (1952)
- Heraldas Janice Clayton in Jamaica Run (1953)
Moods and endings
- Happy4
- Bittersweet2
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Kasey Rogers' films?
As of October 24, 2026, 12 of their 22 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Kasey Rogers' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
58 credits, 22 with a MovieCove page.

The Invisible Man (not in the MovieCove catalog yet)(1975)

Lost Flight (not in the MovieCove catalog yet)(1970)

Adam-12(1968)
Midcredits score: 78th percentile of all shows
Mission: Impossible(1966)
Midcredits score: 87th percentile of all shows
Bewitched(1964)
Midcredits score: 80th percentile of all shows
Peyton Place (not in the MovieCove catalog yet)(1964)

The Naked Flame (not in the MovieCove catalog yet)(1964)

The Lucy Show(1962)
Midcredits score: 59th percentile of all shows
Tallahassee 7000 (not in the MovieCove catalog yet)(1961)

Thriller (not in the MovieCove catalog yet)(1960)

Hawaiian Eye (not in the MovieCove catalog yet)(1959)

Lock-Up (not in the MovieCove catalog yet)(1959)
Midcredits score: 49th percentile of all films
77 Sunset Strip (not in the MovieCove catalog yet)(1958)

Bat Masterson(1958)
Midcredits score: 60th percentile of all shows
Yancy Derringer (not in the MovieCove catalog yet)(1958)

Wanted: Dead or Alive (not in the MovieCove catalog yet)(1958)

Swiss Family Robinson: Lost in the Jungle (not in the MovieCove catalog yet)(1958)

Trackdown (not in the MovieCove catalog yet)(1957)
Goodyear Theatre (not in the MovieCove catalog yet)(1957)

The Restless Gun (not in the MovieCove catalog yet)(1957)

Maverick(1957)
Midcredits score: 86th percentile of all shows
Perry Mason(1957)
Midcredits score: 95th percentile of all shows
The Thin Man (not in the MovieCove catalog yet)(1957)

Sugarfoot (not in the MovieCove catalog yet)(1957)

Richard Diamond, Private Detective (not in the MovieCove catalog yet)(1957)

Panic! (not in the MovieCove catalog yet)(1957)
State Trooper (not in the MovieCove catalog yet)(1956)
Midcredits score: 33rd percentile of all shows
Sergeant Preston of the Yukon (not in the MovieCove catalog yet)(1955)

The McConnell Story (not in the MovieCove catalog yet)(1955)

Frontier (not in the MovieCove catalog yet)(1955)

Cheyenne(1955)
Midcredits score: 79th percentile of all shows
The Life and Legend of Wyatt Earp (not in the MovieCove catalog yet)(1955)

The Millionaire (not in the MovieCove catalog yet)(1955)

Studio 57 (not in the MovieCove catalog yet)(1954)

About Mrs. Leslie (not in the MovieCove catalog yet)(1954)

The Whistler (not in the MovieCove catalog yet)(1954)

The French Line(1953)
Midcredits score: 16th percentile of all films
City Detective (not in the MovieCove catalog yet)(1953)

Jamaica Run(1953)
Midcredits score: 25th percentile of all films
Cavalcade of America (not in the MovieCove catalog yet)(1952)

Denver & Rio Grande(1952)
Midcredits score: 29th percentile of all films
Something to Live For(1952)
Midcredits score: 61st percentile of all films
Silver City(1951)
Midcredits score: 31st percentile of all films
Strangers on a Train(1951)
Midcredits score: 98th percentile of all films
A Place in the Sun(1951)
Midcredits score: 95th percentile of all films
The Mating Season (not in the MovieCove catalog yet)(1951)

Two Lost Worlds (not in the MovieCove catalog yet)(1951)

Union Station(1950)
Midcredits score: 75th percentile of all films
Riding High (not in the MovieCove catalog yet)(1950)

No Man of Her Own(1950)
Midcredits score: 90th percentile of all films
Paid in Full (not in the MovieCove catalog yet)(1950)

Girls' School (not in the MovieCove catalog yet)(1950)

Samson and Delilah(1949)
Midcredits score: 74th percentile of all films
Midcredits score: 76th percentile of all films
Special Agent(1949)
Midcredits score: 25th percentile of all filmsStage 7 (not in the MovieCove catalog yet)
Career shape
Star power in the 77th percentile of 239,109 people with a billed film role, over a full career of 58 titles, 57 of them dated from 1949 to 1975.

Biggest box office
Strangers on a Train (1951)

Highest rated
Strangers on a Train (1951)

Most popular right now
Bewitched (1964)
Film career
- 1949Screen debut· The File on Thelma Jordon
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Kasey Rogers' films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 13; across their 7 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up11
- 50th to 74th4
- 25th to 49th6
- Below 25th1
Shape of the crowd
None of their 22 titles divides audiences: 12 are Crowd Pleasers.
- Universally Loved4
- Crowd Pleaser12
- Broadly Agreed3
- Mixed3
Reviewers score the acting 66/100 in their films, across 7 reviewed titles; fans 73, detractors 48. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Kasey Rogers work with?
People who share at least 2 of Kasey Rogers' MovieCove titles, grouped by what they did on them; Byron Haskin shares the most, 2.
Directors
- Byron HaskinShared titles: Denver & Rio Grande (1952), Silver City (1951)See all 2 shared titles with Byron Haskin

Writers
- Lewis R. FosterShared titles: Jamaica Run (1953), Special Agent (1949)See all 2 shared titles with Lewis R. Foster

- Frank GruberShared titles: Denver & Rio Grande (1952), Silver City (1951)See all 2 shared titles with Frank Gruber
Actors
- Michael MooreShared titles: Jamaica Run (1953), Silver City (1951)See all 2 shared titles with Michael Moore

- Wendell CoreyShared titles: Jamaica Run (1953), The File on Thelma Jordon (1949)See all 2 shared titles with Wendell Corey

- Edmond O'BrienShared titles: Denver & Rio Grande (1952), Silver City (1951)See all 2 shared titles with Edmond O'Brien

- Tom PowersShared titles: Denver & Rio Grande (1952), Special Agent (1949)See all 2 shared titles with Tom Powers

Composers, cinematographers and editors
- Howard A. SmithShared titles: Jamaica Run (1953), Special Agent (1949)See all 2 shared titles with Howard A. Smith
- Lucien CaillietShared titles: Jamaica Run (1953), Special Agent (1949)See all 2 shared titles with Lucien Cailliet
- Paul SawtellShared titles: Denver & Rio Grande (1952), Silver City (1951)See all 2 shared titles with Paul Sawtell
- Ray RennahanShared titles: Denver & Rio Grande (1952), Silver City (1951)See all 2 shared titles with Ray Rennahan
Producers
- William C. ThomasShared titles: Jamaica Run (1953), Special Agent (1949)See all 2 shared titles with William C. Thomas

- William H. PineShared titles: Jamaica Run (1953), Special Agent (1949)See all 2 shared titles with William H. Pine

- Nat HoltShared titles: Denver & Rio Grande (1952), Silver City (1951)See all 2 shared titles with Nat Holt

