
Simon Rogers
- Composer
- 7 on MovieCove
What are Simon Rogers' films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 2 · Serious 1 · Dark 2
Grounded 4 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 2
Steady 1 · Shifting 3 · Whiplash 1
Straight-faced 4 · Some laughs 0 · Funny 1
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 3 · Full focus 1
Easy watch 1 · Affecting 2 · Heavy 2
Resolved 3 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet2
- Ambiguous3
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Simon Rogers' films?
As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (5).
- discovery+
Subscription and free streaming for Simon Rogers' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 7 with a MovieCove page.
Midcredits score: 55th percentile of all films (provisional, few ratings)
River Monsters(2009)
Midcredits score: 91st percentile of all shows
Beneath the Skin(2005)
Midcredits score: 50th percentile of all films
The Preppie Murder(1989)
Midcredits score: 23rd percentile of all films
The Rainbow(1988)
Midcredits score: 34th percentile of all shows
Daddy(1987)
Midcredits score: 40th percentile of all films
Much Ado About Nothing(1984)
Midcredits score: 89th percentile of all films
Career shape
Across their 7 MovieCove titles from 1984 to 2010.
How do Simon Rogers' films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th2
- Below 25th1
Shape of the crowd
5 of their 7 titles are Mixed.
- Universally Loved1
- Cult Classic1
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Simon Rogers work with?
People who share at least 2 of Simon Rogers' MovieCove titles, grouped by what they did on them; John Herzfeld shares the most, 2.
Directors
- John HerzfeldShared titles: The Preppie Murder (1989), Daddy (1987)See all 2 shared titles with John Herzfeld

- Stuart BurgeShared titles: The Rainbow (1988), Much Ado About Nothing (1984)See all 2 shared titles with Stuart Burge

Actors
- Danny AielloShared titles: The Preppie Murder (1989), Daddy (1987)See all 2 shared titles with Danny Aiello

- Jon FinchShared titles: The Rainbow (1988), Much Ado About Nothing (1984)See all 2 shared titles with Jon Finch

Cinematographers and editors
- Janet Bartels-VandagriffShared titles: The Preppie Murder (1989), Daddy (1987)See all 2 shared titles with Janet Bartels-Vandagriff
- Steven ShawShared titles: The Preppie Murder (1989), Daddy (1987)See all 2 shared titles with Steven Shaw

