Charles Roggero

What are Charles Roggero's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles Roggero's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Charles Roggero's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Hairspray(1988)

  Co-Editor

  Midcredits score: 81st percentile of all films81^st
• 

  Polyester(1981)

  Editor · as Bus Passenger (uncredited)

  Midcredits score: 85th percentile of all films85^th
• 

  Desperate Living(1977)

  Editor

  Midcredits score: 80th percentile of all films80^th
• 

  Female Trouble(1974)

  Editor

  Midcredits score: 86th percentile of all films86^th

Career shape

A full career of 4 titles from 1976 to 1988.

Biggest box office

Female Trouble (1974)

$10K worldwide

Highest rated

Female Trouble (1974)

Midcredits 86^th

Most popular right now

Desperate Living (1977)

How do Charles Roggero's films land?

Their typical MovieCove film has a Midcredits score in the 83^rd percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 87^th percentile for acclaim.

Shape of the crowd

4 of their 4 titles are Crowd Pleasers.

4

• Crowd Pleaser4

Most divisive · editor

Female Trouble (1974)

51^st percentile spread · 11% rated it 4 or lower

Most loved · editor

Female Trouble (1974)

Midcredits 86^th · 72% liked

Reviewers score the pacing 53/100 in their films, across 3 reviewed titles; fans 62, detractors 20. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Charles Roggero's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Charles Roggero work with?

People who share at least 2 of Charles Roggero's MovieCove titles, grouped by what they did on them; John Waters shares the most, 3.