Günter Rohrbach is a German film producer, perhaps most well known for producing the war drama 'Das Boot', fantasy film 'The Neverending Story' and the Loriot comedys 'Ödipussi' and 'Pappa Ante Portas'.
Biography from TMDB.
- October 23, 1928 (98)
- Neunkirchen, Germany
- Producer, also writer
- 12 on MovieCove · 25 credits in all
What are Günter Rohrbach's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 10
A split, not a type: Light 4 · Serious 3 · Dark 5
Grounded 11 · Stylized 0 · Heightened 1
A split, not a type: Gentle 4 · Charged 3 · Intense 5
A split, not a type: Steady 5 · Shifting 4 · Whiplash 3
A split, not a type: Straight-faced 8 · Some laughs 0 · Funny 4
Slow burn 5 · Even-paced 7 · Relentless 0
Casual 5 · Engaged 6 · Full focus 1
A split, not a type: Easy watch 4 · Affecting 1 · Heavy 7
Resolved 10 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet4
- Tragic2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Günter Rohrbach's films?
As of October 24, 2026, 2 of their 12 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Günter Rohrbach's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 12 with a MovieCove page; 17 appearances as themselves are hidden until asked for.

Der weisse Äthiopier (not in the MovieCove catalog yet)(2015)

Hotel Lux (not in the MovieCove catalog yet)(2011)

Effi Briest (not in the MovieCove catalog yet)(2009)

A Woman in Berlin(2008)
Midcredits score: 81st percentile of all films
Midcredits score: 24th percentile of all films
The White Massai(2005)
Midcredits score: 56th percentile of all films
Väter(2002)
Midcredits score: 53rd percentile of all films
Aimee & Jaguar(1999)
Midcredits score: 86th percentile of all films
The Pharmacist (not in the MovieCove catalog yet)(1997)

Rudy, the Racing Pig (not in the MovieCove catalog yet)(1995)

The Invincibles (not in the MovieCove catalog yet)(1994)
Midcredits score: 45th percentile of all films
Stalingrad(1993)
Midcredits score: 91st percentile of all films
Das war der wilde Osten(1992)
Midcredits score: 11th percentile of all films
Schtonk! (not in the MovieCove catalog yet)(1992)

Attention, Papa Arrives!(1991)
Midcredits score: 97th percentile of all films
Go Trabi Go (not in the MovieCove catalog yet)(1991)

Silence Like Glass(1989)
Midcredits score: 60th percentile of all films
Ödipussi (not in the MovieCove catalog yet)(1988)

The Cat (not in the MovieCove catalog yet)(1988)

Fathers and Sons: A German Tragedy (not in the MovieCove catalog yet)(1986)

The NeverEnding Story(1984)
Midcredits score: 89th percentile of all films
The Roaring Fifties (not in the MovieCove catalog yet)(1983)

Das Boot(1981)
Midcredits score: 99th percentile of all films
Berlin Alexanderplatz (not in the MovieCove catalog yet)(1980)
Career shape
A full career of 23 titles from 1980 to 2015.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Günter Rohrbach's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 67th percentile for acclaim.
- 75th and up6
- 50th to 74th3
- 25th to 49th1
- Below 25th2
Shape of the crowd
4 of their 12 titles are Universally Loved.
- Universally Loved4
- Crowd Pleaser4
- Broadly Agreed1
- Mixed3
Reviewers score the dialogue 62/100 and the plot and story 58/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Günter Rohrbach's work okay for kids?
Across up to 6 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Günter Rohrbach work with?
People who share at least 2 of Günter Rohrbach's MovieCove titles, grouped by what they did on them; Hannes Nikel shares the most, 3.
Directors
- Max FärberböckShared titles: A Woman in Berlin (2008), Aimee & Jaguar (1999)See all 2 shared titles with Max Färberböck

- Joseph VilsmaierShared titles: Charlie & Louise - Das doppelte Lottchen (1994), Stalingrad (1993)See all 2 shared titles with Joseph Vilsmaier

- Wolfgang PetersenShared titles: The NeverEnding Story (1984), Das Boot (1981)See all 2 shared titles with Wolfgang Petersen

Writers
- Rona MunroShared titles: Väter (2002), Aimee & Jaguar (1999)See all 2 shared titles with Rona Munro
- Reinhard KloossShared titles: Charlie & Louise - Das doppelte Lottchen (1994), Das war der wilde Osten (1992)See all 2 shared titles with Reinhard Klooss

- Stefan CantzShared titles: Charlie & Louise - Das doppelte Lottchen (1994), Das war der wilde Osten (1992)See all 2 shared titles with Stefan Cantz
Actors
- Irm HermannShared titles: A Woman in Berlin (2008), Attention, Papa Arrives! (1991)See all 2 shared titles with Irm Hermann

- Juliane KöhlerShared titles: A Woman in Berlin (2008), Aimee & Jaguar (1999)See all 2 shared titles with Juliane Köhler

- Nina HossShared titles: A Woman in Berlin (2008), The White Massai (2005)See all 2 shared titles with Nina Hoss

- Hanns ZischlerShared titles: Väter (2002), Charlie & Louise - Das doppelte Lottchen (1994)See all 2 shared titles with Hanns Zischler

Composers and editors
- Hannes NikelShared titles: Charlie & Louise - Das doppelte Lottchen (1994), Stalingrad (1993), Das Boot (1981)See all 3 shared titles with Hannes Nikel
- Barbara HenningsShared titles: Rennschwein Rudi Rüssel 2 - Rudi rennt wieder! (2007), Aimee & Jaguar (1999)See all 2 shared titles with Barbara Hennings
- Niki ReiserShared titles: The White Massai (2005), Väter (2002)See all 2 shared titles with Niki Reiser

- Enjott SchneiderShared titles: Charlie & Louise - Das doppelte Lottchen (1994), Stalingrad (1993)See all 2 shared titles with Enjott Schneider

Producers
- Mark DamonShared titles: Stalingrad (1993), The NeverEnding Story (1984), Das Boot (1981)See all 3 shared titles with Mark Damon

- Bernhard ThürShared titles: A Woman in Berlin (2008), The White Massai (2005)See all 2 shared titles with Bernhard Thür
- Martin MoszkowiczShared titles: A Woman in Berlin (2008), The White Massai (2005)See all 2 shared titles with Martin Moszkowicz

- Hanno HuthShared titles: Aimee & Jaguar (1999), Stalingrad (1993)See all 2 shared titles with Hanno Huth
