Alberto Rojas
- Actor
- 3 on MovieCove
What are Alberto Rojas' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
What they feel like to watch
A split, not a type: Ironic 0 · Wry 1 · Earnest 2
Light 3 · Serious 0 · Dark 0
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
Gentle 2 · Charged 1 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 0 · Funny 3
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Roles they play
Usually the Trickster: 2 of 3 analyzed roles.
- Tricksteras Perico in Santo in the Treasure of Dracula (1969)
- Heroas Nacho in Un macho en el salón de belleza (1987)
- Tricksteras Pancho Pérez in Pancho el Sancho (1988)
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alberto Rojas' films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Alberto Rojas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Pancho el Sancho(1988)
Midcredits score: 17th percentile of all films (provisional, few ratings)
Midcredits score: 26th percentile of all films
Midcredits score: 19th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1969 to 1988.
How do Alberto Rojas' films land?
Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 24th percentile for acclaim.
- 25th to 49th1
- Below 25th2
Shape of the crowd
2 of their 3 titles are Divisive.
- Divisive2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alberto Rojas work with?
People who share at least 2 of Alberto Rojas' MovieCove titles, grouped by what they did on them; Víctor Manuel Castro shares the most, 2.
Directors
- Víctor Manuel CastroShared titles: Pancho el Sancho (1988), Un macho en el salón de belleza (1987)See all 2 shared titles with Víctor Manuel Castro
Actors
- Lizbeth OlivierShared titles: Pancho el Sancho (1988), Un macho en el salón de belleza (1987)See all 2 shared titles with Lizbeth Olivier
- Manuel 'Flaco' IbáñezShared titles: Pancho el Sancho (1988), Un macho en el salón de belleza (1987)See all 2 shared titles with Manuel 'Flaco' Ibáñez
- Pedro Weber 'Chatanuga'Shared titles: Pancho el Sancho (1988), Un macho en el salón de belleza (1987)See all 2 shared titles with Pedro Weber 'Chatanuga'
Cinematographers
- Raúl DomínguezShared titles: Pancho el Sancho (1988), Un macho en el salón de belleza (1987)See all 2 shared titles with Raúl Domínguez