- Cinematographer
- 24 on Motif · 41 credits in all
Known for
What are Erich Roland's films like?
Across their 17 Motif titles with a thematic analysis, their films lean Society and Ideas.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 13
A split, not a type: Light 7 · Serious 2 · Dark 4
Grounded 12 · Stylized 1 · Heightened 0
A split, not a type: Gentle 7 · Charged 5 · Intense 1
Steady 11 · Shifting 2 · Whiplash 0
Straight-faced 13 · Some laughs 0 · Funny 0
Slow burn 9 · Even-paced 4 · Relentless 0
Casual 5 · Engaged 7 · Full focus 1
Easy watch 9 · Affecting 4 · Heavy 0
Resolved 13 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet7
- Ambiguous6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Erich Roland's films?
As of October 24, 2026, 16 of their 24 Motif titles stream on a subscription or free service, most on Tubi (6).
- Driving Miss Daisy (1989) · camera operator · free
- Gospel According to Al Green (1984) · cinematographer · free
- Double Jeopardy (1999) · cinematographer · free
- Wrong Man (2018) · cinematographer · free
- National Lampoon's Senior Trip (1995) · steadicam operator · free
- Her Alibi (1989) · steadicam operator · free
Subscription and free streaming for Erich Roland's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
41 credits, 24 with a Motif page.
Midcredits score: 95th percentile of all films
India from Above(2020)
Midcredits score: 67th percentile of all shows
Midcredits score: 93rd percentile of all films
The Trial (not in the Motif catalog yet)(2019)
Midcredits score: 85th percentile of all shows
The Final Year(2017)
Midcredits score: 67th percentile of all films
Wrong Man(2018)
Midcredits score: 47th percentile of all shows
Parched(2017)
Midcredits score: 74th percentile of all shows (provisional, few ratings)
He Named Me Malala(2015)
Midcredits score: 75th percentile of all films
Midcredits score: 70th percentile of all films
Teach(2013)
Midcredits score: 53rd percentile of all films (provisional, few ratings)
The Road We've Traveled (not in the Motif catalog yet)(2012)

Hunting the Edge of Space (not in the Motif catalog yet)(2011)

From the Sky Down(2011)
Midcredits score: 89th percentile of all films
Waiting for Superman(2010)
Midcredits score: 88th percentile of all films
Picturing the Presidents(2009)
Midcredits score: 25th percentile of all films (provisional, few ratings)
It Might Get Loud(2008)
Midcredits score: 94th percentile of all films
Einstein(2008)
Midcredits score: 93rd percentile of all films
America's Treasures (not in the Motif catalog yet)(2007)

Made in China (not in the Motif catalog yet)(2007)

Steep(2007)
Midcredits score: 81st percentile of all films
Mickey (not in the Motif catalog yet)(2004)

Then and Now: 1981-2004 (not in the Motif catalog yet)(2004)
The Ballad of Bering Strait (not in the Motif catalog yet)(2003)

The Body Changers (not in the Motif catalog yet)(2000)

Double Jeopardy(1999)
Midcredits score: 61st percentile of all films
National Geographic: The Filmmakers (not in the Motif catalog yet)(1999)

Murder at 1600(1997)
Midcredits score: 41st percentile of all films
Midcredits score: 83rd percentile of all films (provisional, few ratings)
Maya Lin: A Strong Clear Vision (not in the Motif catalog yet)(1995)
Midcredits score: 35th percentile of all films
Out of Ireland (not in the Motif catalog yet)(1995)

One Survivor Remembers (not in the Motif catalog yet)(1995)

Thomas Jefferson: A View from the Mountain (not in the Motif catalog yet)(1995)

Deep Blues(1992)
Midcredits score: 89th percentile of all films
Elliot Fauman, Ph.D. (not in the Motif catalog yet)(1990)

Driving Miss Daisy(1989)
Midcredits score: 89th percentile of all films
Her Alibi(1989)
Midcredits score: 29th percentile of all films
Midcredits score: 79th percentile of all films (provisional, few ratings)Moses Pendleton Presents Moses Pendleton (not in the Motif catalog yet)(1982)

Brotherhood of Death (not in the Motif catalog yet)(1976)
Career shape
A full career of 29 titles from 1976 to 2021.

Biggest box office
Waiting for Superman (2010)

Highest rated
It Might Get Loud (2008)

Most popular right now
Inside Bill's Brain: Decoding Bill Gates (2019)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
Awards
3 major nominations and no wins, 1995–2016.
- Primetime Emmy, nominated · Outstanding Cinematography for a Nonfiction Program
- Primetime Emmy, nominated · Outstanding Cinematography for Nonfiction Programming
- Primetime Emmy, nominated · Outstanding Individual Achievement - Informational Programming
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Erich Roland's films land?
Their typical Motif film has a Midcredits score in the 80th percentile, the median of all 20; across their 13 films with reception data, the typical film sits in the 83rd percentile for acclaim.
- 75th and up13
- 50th to 74th6
- 25th to 49th5
Shape of the crowd
9 of their 24 titles are Crowd Pleasers.
- Universally Loved3
- Divisive3
- Crowd Pleaser9
- Broadly Agreed2
- Mixed7
Reviewers score the cinematography 63/100 in their films, across 6 reviewed titles; fans 70, detractors 45. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Erich Roland work with?
People who share at least 2 of Erich Roland's Motif titles, grouped by what they did on them; Davis Guggenheim shares the most, 6.
Directors
- Davis GuggenheimShared titles: Inside Bill's Brain: Decoding Bill Gates (2019), He Named Me Malala (2015), Teach (2013), From the Sky Down (2011), Waiting for Superman (2010), It Might Get Loud (2008)See all 6 shared titles with Davis Guggenheim

- Johanna HamiltonShared titles: Wrong Man (2018), Parched (2017)See all 2 shared titles with Johanna Hamilton

- Greg BarkerShared titles: The Final Year (2017), Manhunt: The Inside Story of the Hunt for Bin Laden (2013)See all 2 shared titles with Greg Barker

- Robert MuggeShared titles: Deep Blues (1992), Gospel According to Al Green (1984)See all 2 shared titles with Robert Mugge
Actors
- Barack ObamaShared titles: RUTH - Justice Ginsburg in her own Words (2019), The Final Year (2017)See all 2 shared titles with Barack Obama

Composers, cinematographers and editors
- Greg FintonShared titles: He Named Me Malala (2015), Teach (2013), Waiting for Superman (2010), It Might Get Loud (2008)See all 4 shared titles with Greg Finton
- Justin MellandShared titles: Wrong Man (2018), Parched (2017)See all 2 shared titles with Justin Melland

- Mark FasonShared titles: Wrong Man (2018), Parched (2017)See all 2 shared titles with Mark Fason

- Peter HutchensShared titles: Wrong Man (2018), Parched (2017)See all 2 shared titles with Peter Hutchens

Producers
- Shannon DillShared titles: Inside Bill's Brain: Decoding Bill Gates (2019), He Named Me Malala (2015), Teach (2013)See all 3 shared titles with Shannon Dill

- Jeff SkollShared titles: He Named Me Malala (2015), Teach (2013), Waiting for Superman (2010)See all 3 shared titles with Jeff Skoll

- Nicole StottShared titles: Inside Bill's Brain: Decoding Bill Gates (2019), The Final Year (2017)See all 2 shared titles with Nicole Stott

- Erica SashinShared titles: Wrong Man (2018), Parched (2017)See all 2 shared titles with Erica Sashin
