- Composer and writer
- 5 on MovieCove · 6 credits in all
What are Ann Ronell's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 3 · Serious 0 · Dark 1
Grounded 2 · Stylized 2 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 1
Steady 3 · Shifting 0 · Whiplash 1
A split, not a type: Straight-faced 1 · Some laughs 1 · Funny 2
A split, not a type: Slow burn 3 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ann Ronell's films?
As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Ann Ronell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
6 credits, 5 with a MovieCove page.
Main Street to Broadway(1953)
Midcredits score: 34th percentile of all films
Love Happy(1949)
Midcredits score: 33rd percentile of all films
One Touch of Venus(1948)
Midcredits score: 69th percentile of all films
Story of G.I. Joe(1945)
Midcredits score: 83rd percentile of all films
The Hard-Boiled Canary (not in the MovieCove catalog yet)(1941)
Algiers(1938)
Midcredits score: 65th percentile of all films
Career shape
A full career of 5 titles from 1938 to 1953.
How do Ann Ronell's films land?
Their typical MovieCove film has a Midcredits score in the 65th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
3 of their 5 titles are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed1
- Mixed1
Reviewers score the sound and music 63/100 in their films, across 4 reviewed titles; fans 70, detractors 45. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ann Ronell work with?
People who share at least 2 of Ann Ronell's MovieCove titles, grouped by what they did on them; Lester Cowan shares the most, 4.
Writers
- Frank TashlinShared titles: Love Happy (1949), One Touch of Venus (1948)See all 2 shared titles with Frank Tashlin
Editors
- Albrecht JosephShared titles: Love Happy (1949), Story of G.I. Joe (1945)See all 2 shared titles with Albrecht Joseph
Producers
- Lester CowanShared titles: Main Street to Broadway (1953), Love Happy (1949), One Touch of Venus (1948), Story of G.I. Joe (1945)See all 4 shared titles with Lester Cowan
