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Antony Root

Producer

Primetime Emmy nominee · 1 other major award body

Antony Root is an award-winning television executive and producer. After a brief career in theatre management, he joined BBC Television's Drama Series and Serials Department as an Assistant Floor Manager. He was subsequently promoted to Script Editor, working on the scripts for such series as Doctor Who (2005), The Chinese Detective (1981) and Strangers and Brothers (1984). In 1984 he was recruited by Euston Films, a subsidiary of Thames Television, as its Development Executive where he was responsible for the development of all new drama and film projects for the company. His credits included Capital City (1989), Bellman and True (1987) and the miniseries The Fear (1988), which he also co-produced. In 1989 he joined Working Title Television as Head of Production where he developed and produced Lorna Doone (1990) (ITV), Derek Jarman's Edward II (1991) (BBC) and Armistead Maupin's Tales of the City (1993) (C4). In 1994 he was appointed Head of Drama at Thames Television, executive producing John Schlesinger's Cold Comfort Farm (1995) (BBC) and developing Five's first drama series, Wing and a Prayer (1997), before leaving to join Granada Television as Head of Drama in 1996. In this role his credits as executive producer included The Grand (1997) (ITV) and Far from the Madding Crowd (1998) (ITV). In 1997 he became the first Granada executive tasked with developing and producing drama for broadcasters outside the United Kingdom. As Head of International Drama he oversaw three movies for A&E in the United States - Murder in a Small Town (1999) and The Lady in Question (1999), both starring Gene Wilder, and Dash and Lilly (1999), starring Sam Shepard and Judy Davis. He also executive produced the mini-series Longitude (2000) (C4) for Granada Film. In 1999 he transferred to Los Angeles and assumed the additional role of SVP, Movies and Miniseries at Granada Entertainment USA where his credits as executive producer included The Great Gatsby (2000) (A&E) and Princess of Thieves (2001) (ABC). In 2000 he was appointed President of the company overseeing all its development and production including the television movies Strange Relations (2001) (aka My Beautiful Son) (Showtime/ITV) and Second Nature (2003) (TNT), the second season of the series Beggars and Choosers (1999) (Showtime), and drama and comedy pilots for the U.S. networks. Having managed the company's transition from scripted to non-scripted programming, and its merger with Carlton America, he relinquished this role in 2003 but continued to oversee its scripted programming including serving as executive producer on the series Touching Evil (2004) (USA). In 2005 he returned to the UK to take up the position of SVP, European Production, for Sony Pictures Television. In this role, which he held until December 2009, he was responsible for all SPT's development and production in the European region including the management of its wholly owned and joint venture entities in six countries. From January 2010 to October 2011 he worked as an international consultant and executive producer. His assignments included serving as director of Industry Week at the RomaFictionFest in 2010 and 2011. In October 2011 he took up the position of executive vice-president, original programming and production, at HBO Europe.[7] In this role he headed HBO Europe's original programming division with direct reports in London, Copenhagen and Madrid and operating departments in Warsaw, Prague, Budapest and Bucharest. He was responsible for the creative, production and financial supervision of all HBO Europe original programming and for the selection of fiction and documentary programmes to be developed and produced. He was a member of HBO Europe's senior management team and reported to the CEO. In 2020 Root was appointed Head of Original Production for WarnerMedia EMEA. In this expanded role he continued to oversee the original programming output of HBO Europe with added responsibilities for the original productions commissioned by the Turner channels in Spain, Germany and France and by HBO Max across EMEA. He retired from this position in March 2023. Productions with which Root has been associated as producer or executive producer have won BAFTA, Peabody and Banff awards, as well as many local awards in HBO Europe and HBO Max's operating regions, and have been nominated for European Film Awards, Primetime Emmys, Golden Globes and Oscars.

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Biography from IMDb.

Works as
Producer
Titles
23 on MovieCove · 51 credits in all
TMDB popularity, last 38 days to Oct 27Up 5% in 30 days

What are Antony Root's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 1 · Dark 5

A split, not a type: Grounded 5 · Stylized 2 · Heightened 2

Gentle 0 · Charged 7 · Intense 2

Steady 5 · Shifting 4 · Whiplash 0

Straight-faced 4 · Some laughs 4 · Funny 1

Slow burn 3 · Even-paced 5 · Relentless 1

Casual 3 · Engaged 4 · Full focus 2

A split, not a type: Easy watch 3 · Affecting 2 · Heavy 4

Resolved 6 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
13
Melancholic
8
Dread
4
Contemplative
5
Warm
3
Other
14

How their films end · 4 with a twist

  • Happy4
  • Bittersweet4
  • Tragic3
  • Ambiguous6
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Antony Root's films?

As of October 24, 2026, 17 of their 23 MovieCove titles stream on a subscription or free service, most on HBO Max (12).

Subscription and free streaming for Antony Root's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

51 credits, 23 with a MovieCove page.

  • Las vidas de Fèlix(2023)

    Show 7 episodes · Executive Producer

    Midcredits score: 39th percentile of all shows (provisional, few ratings)
  • Still Here (not in the MovieCove catalog yet)(2023)

    Show 11 episodes · Executive Producer

  • Spy/Master(2023)

    Show 6 episodes · Executive Producer

    Midcredits score: 72nd percentile of all shows
  • #BringBackAlice(2023)

    Show 6 episodes · Executive Producer

    Midcredits score: 12th percentile of all shows
  • Headless Chickens(2023)

    Show Producer

    Midcredits score: 9th percentile of all shows
  • García!(2022)

    Show 6 episodes · Executive Producer

    Midcredits score: 13th percentile of all shows
  • Ruxx (not in the MovieCove catalog yet)(2022)

    Show 1 episode · Executive Producer

  • Irina Rimes: On My Way(2022)

    Show Producer

    Midcredits score: 40th percentile of all shows (provisional, few ratings)
  • The Thaw(2022)

    Show Producer

    Midcredits score: 41st percentile of all shows
  • Kamikaze (not in the MovieCove catalog yet)(2021)

    Show 8 episodes · Executive Producer

  • Dafne and the Rest (not in the MovieCove catalog yet)(2021)

    Show 8 episodes · Executive Producer

  • The Truth of Dolores Vazquez(2021)

    Show Producer

    Midcredits score: 59th percentile of all shows
  • 30 Coins(2020)

    Show 16 episodes · Executive Producer

    Midcredits score: 54th percentile of all shows
  • Patria(2020)

    Show 8 episodes · Executive Producer

    Midcredits score: 92nd percentile of all shows
  • The Sleepers (not in the MovieCove catalog yet)(2019)

    Show 6 episodes · Executive Producer

  • Gösta (not in the MovieCove catalog yet)(2019)

    Show 12 episodes · Executive Producer

  • Collective(2019)

    Producer

    Midcredits score: 98th percentile of all films
  • Blinded by the Lights (not in the MovieCove catalog yet)(2018)

    Show 8 episodes · Executive Producer

  • Destino Rusia 2018 (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • Spoor(2017)

    Co-Producer

    Midcredits score: 58th percentile of all films
  • The Last Family (not in the MovieCove catalog yet)(2016)

    Co-Producer

  • The Pact (not in the MovieCove catalog yet)(2015)

    Show 6 episodes · Executive Producer

  • Influence (not in the MovieCove catalog yet)(2015)

    Co-Producer

  • Chemo(2015)

    Producer

    Midcredits score: 42nd percentile of all films
  • Mamon(2015)

    Show Producer

    Midcredits score: 50th percentile of all shows
  • Toto and his Sisters (not in the MovieCove catalog yet)(2014)

    Executive Producer

  • The Mighty Angel(2014)

    Producer

    Midcredits score: 76th percentile of all films
  • Umbre(2014)

    Show Producer

    Midcredits score: 98th percentile of all shows
  • Burning Bush (not in the MovieCove catalog yet)(2013)

    Show 3 episodes · Producer

  • Come in Number Five (not in the MovieCove catalog yet)(2011)

    Actor

  • Sofia's Diary (not in the MovieCove catalog yet)(2008)

    Show 140 episodes · Executive Producer

  • Second Nature (not in the MovieCove catalog yet)(2003)

    Executive Producer

  • Princess of Thieves(2001)

    Executive Producer

    Midcredits score: 36th percentile of all films
  • Take Me Home: The John Denver Story(2000)

    Executive Producer

    Midcredits score: 50th percentile of all films
  • Longitude (not in the MovieCove catalog yet)(2000)

    Executive Producer

  • Longitude (not in the MovieCove catalog yet)(2000)

    Show 2 episodes · Producer

  • The Great Gatsby(2000)

    Producer

    Midcredits score: 35th percentile of all films
  • The Lady in Question (not in the MovieCove catalog yet)(1999)

    Executive Producer

  • Beggars and Choosers (not in the MovieCove catalog yet)(1999)

    Show 20 episodes · Executive Producer

  • Dash and Lilly (not in the MovieCove catalog yet)(1999)

    Executive Producer

  • Midcredits score: 58th percentile of all films
  • Cold Comfort Farm(1995)

    Executive Producer

    Midcredits score: 86th percentile of all films
  • Tales of the City (not in the MovieCove catalog yet)(1993)

    Show 5 episodes · Producer

  • Edward II(1991)

    Producer

    Midcredits score: 75th percentile of all films
  • Lorna Doone (not in the MovieCove catalog yet)(1990)

    Producer

  • The Fear (not in the MovieCove catalog yet)(1988)

    Show 5 episodes · Co-Producer

  • Doctor Who: Earthshock (not in the MovieCove catalog yet)(1982)

    Script Editor

  • Doctor Who: The Visitation (not in the MovieCove catalog yet)(1982)

    Script Editor

  • Doctor Who: Four to Doomsday (not in the MovieCove catalog yet)(1982)

    Script Editor

  • K-9 and Company(1981)

    Script Editor

    Midcredits score: 41st percentile of all films
  • Cambridge University 1974 Footlights Revue (not in the MovieCove catalog yet)(1974)

    Presenter

Career shape

A full career of 41 titles from 1974 to 2023.

By role

only this rolewith another role
Acting1 of 41: 1 only acting, 0 with another roleWriting4 of 41: 4 only writing, 0 with another roleProducing35 of 41: 35 only producing, 0 with another role · typical Midcredits score56thOther crew1 of 41: 1 only other crew, 0 with another role

By decade

1970s1 · crew1980s5 · crew1990s8 · crew2000s6 · crew2010s11 · 1 acting · 10 crew2020s10 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

3 major nominations and no wins, 1994–2000.

  1. 2000
    • Producers Guild Award, nominated · Outstanding Producer of Long-Form Television
  2. 1999
    • Primetime Emmy, nominated · Outstanding Made for Television Movie
  3. 1994
    • Primetime Emmy, nominated · Outstanding Miniseries

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Antony Root's films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 11; across their 9 films with reception data, the typical film sits in the 55th percentile for acclaim.

Acclaim · how much people like their films

55thpercentile
Typical film, the median of 9

Approval · how many liked their films

59thpercentile
Typical film, the median of 9

Reach · how many have seen their films

70thpercentile
Typical film, the median of 9

Midcredits score across 23 titles, by percentile

  • 75th and up6
  • 50th to 74th7
  • 25th to 49th7
  • Below 25th3

Shape of the crowd

9 of their 23 titles are Mixed.

  • Universally Loved3
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser7
  • Broadly Agreed2
  • Mixed9

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Antony Root's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 48 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Antony Root work with?

People who share at least 2 of Antony Root's MovieCove titles, grouped by what they did on them; Johnathan Young shares the most, 6.

Actors

Composers and editors

Producers