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Alfonso Rosas Priego

Producer, also writer

Works as
Producer, also writer
Titles
9 on MovieCove · 36 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 34% in 30 days

What are Alfonso Rosas Priego's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Drama5 titlesTypical Midcredits score: 50th percentile, at or above their average across these genres
: browse their Drama movies
Crime2 titlesTypical Midcredits score: 27th percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
49%
Morality
24%
Power
14%
Self
10%
Society
2%
Family bonds5 titles, browse their movies with this themeRomantic love2 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 4 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 4 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 6 · Some laughs 1 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 1 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 6 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
4
Warm
2
Dread
2
Romantic
2
Other
6

How their films linger

Bittersweet4 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy3
  • Bittersweet2
  • Tragic2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alfonso Rosas Priego's films?

As of October 24, 2026, all 9 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Alfonso Rosas Priego's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

36 credits, 9 with a MovieCove page.

  • Juegos bajo la luna(2000)

    Associate Producer

    Midcredits score: 32nd percentile of all films (provisional, few ratings)

  • El Homicida (not in the MovieCove catalog yet)(1990)

    In Memory Of

  • The Child and the Pope (not in the MovieCove catalog yet)(1987)

    Delegated Producer

  • The Son of Peter the Knife (not in the MovieCove catalog yet)(1986)

    Director · Producer · Writer

  • Escuela de Placer (not in the MovieCove catalog yet)(1984)

    Executive Producer

  • Cornered (not in the MovieCove catalog yet)(1976)

    Producer

  • Uno para la horca (not in the MovieCove catalog yet)(1974)

    Producer

  • El juez de la soga (not in the MovieCove catalog yet)(1973)

    Producer

  • El deseo en otoño(1972)

    Producer

    Midcredits score: 52nd percentile of all films (provisional, few ratings)

  • El arte de engañar(1972)

    Producer

    Midcredits score: 36th percentile of all films (provisional, few ratings)

  • Los jóvenes amantes (not in the MovieCove catalog yet)(1971)

    Producer

  • El juicio de los hijos(1971)

    Producer

    Midcredits score: 44th percentile of all films (provisional, few ratings)

  • Cristo 70 (not in the MovieCove catalog yet)(1970)

    Editor

  • Mothers' Day(1969)

    Producer

    Midcredits score: 53rd percentile of all films (provisional, few ratings)

  • Santo vs. The Ring Villains (not in the MovieCove catalog yet)(1968)

    Producer

  • Santo vs. the Martian Invasion (not in the MovieCove catalog yet)(1967)

    Producer

  • Seguiré tus pasos (not in the MovieCove catalog yet)(1967)

    Producer

  • La Venus Maldita (not in the MovieCove catalog yet)(1967)

    Editor · Producer

  • Gallo corriente, gallo valiente (not in the MovieCove catalog yet)(1966)

    Producer

  • Una mujer sin precio (not in the MovieCove catalog yet)(1966)

    Producer

  • Los novios de mis hijas(1964)

    Producer

    Midcredits score: 66th percentile of all films (provisional, few ratings)

  • The Curse of Nostradamus(1961)

    Producer

    Midcredits score: 9th percentile of all films

  • Quinceañera(1960)

    Producer · Writer

    Midcredits score: 50th percentile of all films (provisional, few ratings)

  • Dos corazones y un cielo (not in the MovieCove catalog yet)(1959)

    Producer

  • Tan bueno el giro como el colorado (not in the MovieCove catalog yet)(1959)

    Producer

  • Gitana Tenias Que Ser (not in the MovieCove catalog yet)(1953)

    Editor

  • Ambitious (not in the MovieCove catalog yet)(1953)

    Producer

  • Noche de perdición (not in the MovieCove catalog yet)(1951)

    Producer

  • El marido de mi novia (not in the MovieCove catalog yet)(1951)

    Producer

  • In the Flesh (not in the MovieCove catalog yet)(1951)

    Producer

  • Si me viera don Porfirio (not in the MovieCove catalog yet)(1950)

    Producer

  • Novia a la medida (not in the MovieCove catalog yet)(1949)

    Producer

  • Eterna agonía (not in the MovieCove catalog yet)(1949)

    Producer

  • Cortesana(1948)

    Producer

    Midcredits score: 50th percentile of all films (provisional, few ratings)

  • The Well-paid (not in the MovieCove catalog yet)(1948)

    Producer

  • Smoke in the Eyes (not in the MovieCove catalog yet)(1946)

    Producer

Career shape

A full career of 32 titles from 1946 to 2000.

Most popular right now

The Curse of Nostradamus (1961)

By role

only this rolewith another role
Directing1 of 32: 0 only directing, 1 with another roleWriting2 of 32: 0 only writing, 2 with another roleProducing29 of 32: 26 only producing, 3 with another role · typical Midcredits score50thEditing3 of 32: 2 only editing, 1 with another roleOther crew1 of 32: 1 only other crew, 0 with another role

32 titles, 3 with more than one role — producing and editing overlap on 1 of them.

By decade

1940s5 · crew1950s8 · crew1960s7 · crew1970s7 · crew1980s3 · crew1990s1 · crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alfonso Rosas Priego's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 9; across their 8 films with reception data, the typical film sits in the 45th percentile for acclaim.

Acclaim · how much people like their films

45thpercentile
Typical film, the median of 8

Approval · how many liked their films

49thpercentile
Typical film, the median of 8

Reach · how many have seen their films

5thpercentile
Typical film, the median of 8

Midcredits score across 9 titles, by percentile

  • 50th to 74th5
  • 25th to 49th3
  • Below 25th1

Shape of the crowd

7 of their 9 titles are Mixed.

  • Cult Classic1
  • Crowd Pleaser1
  • Mixed7

Most divisive · producer

Juegos bajo la luna (2000)

74th percentile spread · 26% rated it 4 or lower

Most loved · producer

The Curse of Nostradamus (1961)

Midcredits 9th · 23% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alfonso Rosas Priego work with?

People who share at least 2 of Alfonso Rosas Priego's MovieCove titles, grouped by what they did on them; Alfredo B. Crevenna shares the most, 4.

Directors

Writers

Actors

Composers and editors