Enrique Rosas Priego
- Producer
- 5 on MovieCove
What are Enrique Rosas Priego's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 4 · Serious 1 · Dark 0
Grounded 5 · Stylized 0 · Heightened 0
Gentle 2 · Charged 3 · Intense 0
Steady 5 · Shifting 0 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 2
Slow burn 3 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 2 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy4
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Enrique Rosas Priego's films?
As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Enrique Rosas Priego's titles on MovieCove; rent and buy are not counted.
Filmography
5 credits, 5 with a MovieCove page.
Despedida de casada(1968)
Midcredits score: 36th percentile of all films (provisional, few ratings)
Midcredits score: 9th percentile of all films (provisional, few ratings)
Las rosas del milagro(1960)
Midcredits score: 45th percentile of all films (provisional, few ratings)
Vuelta al paraíso(1960)
Midcredits score: 19th percentile of all films (provisional, few ratings)
Besos de arena(1959)
Midcredits score: 30th percentile of all films (provisional, few ratings)
Career shape
Across their 5 MovieCove titles from 1959 to 1968.
How do Enrique Rosas Priego's films land?
Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 32nd percentile for acclaim.
- 25th to 49th3
- Below 25th2
Shape of the crowd
3 of their 5 titles are Cult Classics.
- Cult Classic3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Enrique Rosas Priego work with?
People who share at least 2 of Enrique Rosas Priego's MovieCove titles, grouped by what they did on them; Alfredo Rosas Priego shares the most, 5.
Directors
- Gilberto Martínez SolaresShared titles: Vuelta al paraíso (1960), Besos de arena (1959)See all 2 shared titles with Gilberto Martínez Solares
Actors
- Jaime FernándezShared titles: Las rosas del milagro (1960), Vuelta al paraíso (1960), Besos de arena (1959)See all 3 shared titles with Jaime Fernández
- Andrés SolerShared titles: Las rosas del milagro (1960), Vuelta al paraíso (1960)See all 2 shared titles with Andrés Soler
- José Luis FernándezShared titles: Vuelta al paraíso (1960), Besos de arena (1959)See all 2 shared titles with José Luis Fernández
- Juan GarcíaShared titles: Vuelta al paraíso (1960), Besos de arena (1959)See all 2 shared titles with Juan García
Composers, cinematographers and editors
- Alfredo Rosas PriegoShared titles: Despedida de casada (1968), Las tapatías nunca pierden (1965), Las rosas del milagro (1960), Vuelta al paraíso (1960), Besos de arena (1959)See all 5 shared titles with Alfredo Rosas Priego
- Antonio Díaz CondeShared titles: Las tapatías nunca pierden (1965), Las rosas del milagro (1960)See all 2 shared titles with Antonio Díaz Conde
- Ezequiel CarrascoShared titles: Las tapatías nunca pierden (1965), Vuelta al paraíso (1960)See all 2 shared titles with Ezequiel Carrasco
Producers
- Francisco GómezShared titles: Las tapatías nunca pierden (1965), Las rosas del milagro (1960), Vuelta al paraíso (1960)See all 3 shared titles with Francisco Gómez
- Eduardo Vega LavínShared titles: Las rosas del milagro (1960), Vuelta al paraíso (1960), Besos de arena (1959)See all 3 shared titles with Eduardo Vega Lavín