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MovieCove

Kevin Rose-Williams

Editor

Works as
Editor
Titles
21 on MovieCove

What are Kevin Rose-Williams' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
58%
Self
29%
Society
13%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 0 · Dark 0

Grounded 0 · Stylized 2 · Heightened 2

Gentle 2 · Charged 2 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 0 · Some laughs 2 · Funny 2

Slow burn 1 · Even-paced 2 · Relentless 1

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
3
Warm
3
Manic
2
Absurd
1
Thrilling
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kevin Rose-Williams' films?

As of October 24, 2026, 15 of their 21 MovieCove titles stream on a subscription or free service, most on Disney+ (9).

Subscription and free streaming for Kevin Rose-Williams' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 21 with a MovieCove page.

  • Lightyear(2022)

    Second Film Editor

    Midcredits score: 42nd percentile of all films
  • Auntie Edna(2018)

    Editor

    Midcredits score: 86th percentile of all films
  • Midcredits score: 10th percentile of all films
  • Midcredits score: 32nd percentile of all films
  • Midcredits score: 73rd percentile of all films
  • Cars 2(2011)

    First Assistant Editor

    Midcredits score: 54th percentile of all films
  • Up(2009)

    Additional Editorial Assistant

    Midcredits score: 99th percentile of all films
  • Presto(2008)

    Assistant Editor

    Midcredits score: 98th percentile of all films
  • WALL·E(2008)

    Assistant Editor

    Midcredits score: 99th percentile of all films
  • Ratatouille(2007)

    Assistant Editor

    Midcredits score: 99th percentile of all films
  • Midcredits score: 2nd percentile of all films
  • Evolution(2001)

    Visual Effects Editor

    Midcredits score: 44th percentile of all films
  • Virus(1999)

    Visual Effects Editor

    Midcredits score: 14th percentile of all films
  • Starship Troopers(1997)

    VFX Editor

    Midcredits score: 89th percentile of all films
  • The Hunted(1995)

    Assistant Sound Editor

    Midcredits score: 41st percentile of all films
  • Quiz Show(1994)

    Assistant Sound Editor

    Midcredits score: 95th percentile of all films
  • Mrs. Doubtfire(1993)

    Assistant Sound Editor

    Midcredits score: 85th percentile of all films
  • A River Runs Through It(1992)

    Assistant Sound Editor

    Midcredits score: 88th percentile of all films
  • Rush(1991)

    Assistant Sound Editor

    Midcredits score: 69th percentile of all films
  • Terminator 2: Judgment Day(1991)

    Sound · Sound Assistant

    Midcredits score: 99th percentile of all films
  • The Godfather Part III(1990)

    Assistant Sound Editor

    Midcredits score: 91st percentile of all films

Career shape

A full career of 21 titles from 1990 to 2022.

By role

only this rolewith another role
Editing4 of 21: 4 only editing, 0 with another roleOther crew17 of 21: 17 only other crew, 0 with another role · typical Midcredits score88th

By decade

1990s9 · crew2000s6 · crew2010s5 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Kevin Rose-Williams' films land?

Their typical MovieCove film has a Midcredits score in the 85th percentile, the median of all 21; across a limited sample of 4 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 4

Approval · how many liked their films

49thpercentile
Typical film, the median of 4

Reach · how many have seen their films

78thpercentile
Typical film, the median of 4

Midcredits score across 21 titles, by percentile

  • 75th and up11
  • 50th to 74th3
  • 25th to 49th4
  • Below 25th3

Shape of the crowd

7 of their 21 titles are Universally Loved.

  • Universally Loved7
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser7
  • Broadly Agreed1
  • Mixed4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Kevin Rose-Williams work with?

People who share at least 2 of Kevin Rose-Williams' MovieCove titles, grouped by what they did on them; Marc Sondheimer shares the most, 3.

Producers

Mixed roles