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Rick Rosenberg

Producer

Works as
Producer
Titles
23 on MovieCove · 32 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 29% in 30 days

What are Rick Rosenberg's films like?

Across their 23 MovieCove titles with a thematic analysis, their films lean Self and Power.

Genres

Drama16 titlesTypical Midcredits score: 48th percentile
: browse their Drama movies
Biography2 titlesTypical Midcredits score: 61st percentile, at or above their average across these genres
: browse their Biography movies
Comedy2 titlesTypical Midcredits score: 49th percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
21%
Power
20%
Survival
18%
Bonds
18%
Morality
15%
Society
8%
Ideas
1%
Family bonds8 titles, browse their movies with this themeJustice6 titles, browse their movies with this themeSurvival5 titles, browse their movies with this themeFreedom4 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeCorruption3 titles, browse their movies with this themeTrauma3 titles, browse their movies with this themePurpose3 titles, browse their movies with this theme

What they feel like to watch

their average across 22 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 5 · Serious 6 · Dark 11

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 17 · Stylized 5 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 9 · Intense 8

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 10 · Shifting 11 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 18 · Some laughs 4 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 10 · Even-paced 11 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 10 · Engaged 9 · Full focus 3

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 4 · Affecting 8 · Heavy 10

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 17 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Melancholic
10
Contemplative
8
Dread
4
Hopeful
5
Other
15

How their films linger

Hopeful8 titles, browse their movies with this aftertasteBittersweet8 titles, browse their movies with this aftertasteFeel-good6 titles, browse their movies with this aftertasteHaunting6 titles, browse their movies with this aftertasteThought-provoking5 titles, browse their movies with this aftertasteInfuriating3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy5
  • Bittersweet13
  • Tragic4
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Rick Rosenberg's films?

As of October 24, 2026, 10 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Rick Rosenberg's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 23 with a MovieCove page.

  • Tom Dick & Harriet(2013)

    Producer

    Midcredits score: 32nd percentile of all films

  • Reckless Behavior: Caught on Tape (not in the MovieCove catalog yet)(2007)

    Executive Producer

  • The Crossing(2000)

    Producer

    Midcredits score: 76th percentile of all films

  • Down in the Delta(1998)

    Producer

    Midcredits score: 77th percentile of all films

  • The Long Island Incident(1998)

    Producer

    Midcredits score: 41st percentile of all films

  • Home Invasion (not in the MovieCove catalog yet)(1997)

    Executive Producer

  • Lost Treasure of Dos Santos(1997)

    Producer

    Midcredits score: 8th percentile of all films (provisional, few ratings)

  • Sudden Terror: The Hijacking of School Bus #17(1996)

    Executive Producer

    Midcredits score: 11th percentile of all films

  • Beyond the Call(1996)

    Executive Producer

    Midcredits score: 31st percentile of all films

  • Tad (not in the MovieCove catalog yet)(1995)

    Producer

  • Kingfish: A Story of Huey P. Long(1995)

    Producer

    Midcredits score: 45th percentile of all films

  • Redwood Curtain(1995)

    Producer

    Midcredits score: 47th percentile of all films

  • Heart of Darkness(1994)

    Producer

    Midcredits score: 33rd percentile of all films

  • The Last Hit (not in the MovieCove catalog yet)(1993)

    Producer

  • The Heist (not in the MovieCove catalog yet)(1989)

    Producer

  • Red Earth, White Earth(1989)

    Producer

    Midcredits score: 22nd percentile of all films (provisional, few ratings)

  • Lincoln(1988)

    Show Producer

    Midcredits score: 51st percentile of all shows

  • Kids Don't Tell(1985)

    Executive Producer

    Midcredits score: 37th percentile of all films

  • Hide in Plain Sight(1980)

    Producer

    Midcredits score: 48th percentile of all films

  • Strangers: The Story of a Mother and Daughter(1979)

    Producer

    Midcredits score: 96th percentile of all films

  • A Death in Canaan(1978)

    Producer

    Midcredits score: 74th percentile of all films

  • Born Innocent(1974)

    Executive Producer

    Midcredits score: 56th percentile of all films

  • Queen of the Stardust Ballroom (not in the MovieCove catalog yet)(1975)

    Producer

  • The Autobiography of Miss Jane Pittman(1974)

    Producer

    Midcredits score: 93rd percentile of all films

  • I Love You...Good-bye (not in the MovieCove catalog yet)(1974)

    Producer

  • The Man Who Could Talk to Kids (not in the MovieCove catalog yet)(1973)

    Producer

  • A Brand New Life(1973)

    Producer

    Midcredits score: 49th percentile of all films (provisional, few ratings)

  • Gargoyles(1972)

    Producer

    Midcredits score: 41st percentile of all films

  • The Glass House(1972)

    Producer

    Midcredits score: 75th percentile of all films

  • Suddenly Single (not in the MovieCove catalog yet)(1971)

    Producer

  • Adam at Six A.M.(1970)

    Producer

    Midcredits score: 33rd percentile of all films

  • The Reivers(1969)

    Associate Producer

    Midcredits score: 66th percentile of all films

Career shape

A full career of 24 titles from 1969 to 2007.

Biggest box office

Down in the Delta (1998)

$5.7M worldwide

Highest rated

Strangers: The Story of a Mother and Daughter (1979)

Midcredits 96th

Most popular right now

Kingfish: A Story of Huey P. Long (1995)

By role

only this rolewith another role
Producing24 of 24: 24 only producing, 0 with another role · typical Midcredits score48th

By decade

1960s1 · crew1970s11 · crew1980s3 · crew1990s8 · crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Rick Rosenberg's films land?

Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 22; across their 22 films with reception data, the typical film sits in the 47th percentile for acclaim.

Acclaim · how much people like their films

47thpercentile
Typical film, the median of 22

Approval · how many liked their films

46thpercentile
Typical film, the median of 22

Reach · how many have seen their films

42ndpercentile
Typical film, the median of 22

Midcredits score across 23 titles, by percentile

  • 75th and up5
  • 50th to 74th4
  • 25th to 49th11
  • Below 25th3

Shape of the crowd

11 of their 23 titles are Mixed.

  • Universally Loved2
  • Cult Classic3
  • Crowd Pleaser7
  • Mixed11

Most divisive · producer

Kids Don't Tell (1985)

81st percentile spread · 26% rated it 4 or lower

Most loved · producer

Strangers: The Story of a Mother and Daughter (1979)

Midcredits 96th · 88% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Rick Rosenberg work with?

People who share at least 2 of Rick Rosenberg's MovieCove titles, grouped by what they did on them; Robert W. Christiansen shares the most, 22.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles