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Dale Rosenbloom

Dale Rosenbloom

Producer, writer and director · Born July 3, 1964 (62) · New York City, New York, USA

Chip Rosenbloom is an American filmmaker, screenwriter and producer. He began his film career at Aaron Spelling Productions and later worked in development for Mace Neufeld Productions. He is the owner of Rosenbloom Entertainment and the founder of the production company Open Pictures.

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Biography from TMDB.

Born
July 3, 1964 (62)
From
New York City, New York, USA
Works as
Producer, writer and director
Titles
18 on MovieCove · 20 credits in all
TMDB popularity, last 37 days to Oct 26Down 40% in 30 days

What are Dale Rosenbloom's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 8 · Serious 1 · Dark 9

Grounded 17 · Stylized 0 · Heightened 1

A split, not a type: Gentle 8 · Charged 4 · Intense 6

Steady 12 · Shifting 5 · Whiplash 1

Straight-faced 14 · Some laughs 3 · Funny 1

Slow burn 10 · Even-paced 7 · Relentless 1

Casual 11 · Engaged 7 · Full focus 0

Resolved 14 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
13
Hopeful
9
Melancholic
9
Dread
4
Warm
4
Other
11

How their films end · 3 with a twist

  • Happy3
  • Bittersweet9
  • Tragic2
  • Ambiguous3
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dale Rosenbloom's films?

As of October 24, 2026, 12 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Subscription and free streaming for Dale Rosenbloom's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 18 with a MovieCove page.

  • Driveways(2019)

    Producer

    Midcredits score: 88th percentile of all films
  • The Open House(2018)

    Executive Producer

    Midcredits score: 1st percentile of all films
  • Skin(2018)

    Producer

    Midcredits score: 73rd percentile of all films
  • Midcredits score: 74th percentile of all films
  • Midcredits score: 85th percentile of all films
  • Evan's Crime (not in the MovieCove catalog yet)(2016)

    Writer

  • Midcredits score: 26th percentile of all films
  • Dream/Killer(2015)

    Producer

    Midcredits score: 89th percentile of all films
  • Turn It Up!(2014)

    Producer

    Midcredits score: 69th percentile of all films
  • The Call(2013)

    Producer

    Midcredits score: 70th percentile of all films
  • Open Graves(2009)

    Producer

    Midcredits score: 5th percentile of all films
  • The Girl in the Park(2007)

    Producer

    Midcredits score: 54th percentile of all films
  • Alice Upside Down(2007)

    Producer

    Midcredits score: 30th percentile of all films
  • Saving Shiloh(2006)

    Producer · Screenplay

    Midcredits score: 56th percentile of all films
  • Shiloh 2: Shiloh Season(1999)

    Producer · Screenplay

    Midcredits score: 45th percentile of all films
  • Eight Days a Week(1997)

    Executive Producer

    Midcredits score: 42nd percentile of all films
  • Shiloh(1996)

    Director · Producer · Screenplay

    Midcredits score: 51st percentile of all films
  • Ride with the Wind (not in the MovieCove catalog yet)(1994)

    Co-Executive Producer

  • Instant Karma(1990)

    Producer · Writer

    Midcredits score: 7th percentile of all films
  • Across the Tracks(1990)

    Producer

    Midcredits score: 32nd percentile of all films

Career shape

A full career of 10 titles from 1990 to 2018.

By role

only this rolewith another role
Directing1 of 10: 0 only directing, 1 with another roleWriting5 of 10: 3 only writing, 2 with another roleProducing7 of 10: 5 only producing, 2 with another role · typical Midcredits score48th

By decade

1990s5 · crew2000s2 · crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Dale Rosenbloom's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 18; across their 18 films with reception data, the typical film sits in the 52nd percentile for acclaim.

Acclaim · how much people like their films

52ndpercentile
Typical film, the median of 18

Approval · how many liked their films

52ndpercentile
Typical film, the median of 18

Reach · how many have seen their films

74thpercentile
Typical film, the median of 18

Midcredits score across 18 titles, by percentile

  • 75th and up3
  • 50th to 74th7
  • 25th to 49th5
  • Below 25th3

Shape of the crowd

8 of their 18 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Loved with Detractors1
  • Cult Classic1
  • Crowd Pleaser8
  • Mixed6

Reviewers score the dialogue 43/100 and the plot and story 44/100 in their films, across 17 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Dale Rosenbloom's work okay for kids?

Across up to 7 MovieCove titles with content scores, violence & gore and profanity run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles26–82 · median 71 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity7 titles28–57 · median 41 · moderatenear the median of all filmsMedian of all films: 32
Profanity7 titles40–74 · median 52 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles29–58 · median 35 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense4 titlesmedian 39 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Dale Rosenbloom work with?

People who share at least 2 of Dale Rosenbloom's MovieCove titles, grouped by what they did on them; Sandy Tung shares the most, 4.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles