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Henry S. Rosenthal

Henry S. Rosenthal

Producer and actor

Works as
Producer and actor
Titles
8 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 44% in 30 days

What are Henry S. Rosenthal's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Ideas and Self.

Themes

share of theme weight
Ideas
32%
Self
28%
Society
18%
Survival
10%
Bonds
6%
Power
6%
Identity3 titles, browse their movies with this themeArt2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeIsolation2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 3 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 4 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 3 · Shifting 2 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 3 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 0 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 4 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Absurd
4
Melancholic
3
Tense
3
Warm
2
Other
7

How their films linger

Thought-provoking5 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet4
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Henry S. Rosenthal's films?

As of October 24, 2026, 7 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Henry S. Rosenthal's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 8 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • We Are As Gods(2021)

    Executive Producer

    Midcredits score: 69th percentile of all films

  • Bill Nye: Science Guy(2017)

    Executive Producer

    Midcredits score: 71st percentile of all films

  • Author: The JT LeRoy Story(2016)

    Producer

    Midcredits score: 81st percentile of all films

  • Entertainment(2015)

    Producer

    Midcredits score: 46th percentile of all films

  • Almost Royal(2014)

    Show as Commander

    Midcredits score: 67th percentile of all shows

  • The Devil and Daniel Johnston(2005)

    Producer

    Midcredits score: 97th percentile of all films

  • Off the Charts: The Song-Poem Story (not in the MovieCove catalog yet)(2003)

    Producer

  • Conceiving Ada (not in the MovieCove catalog yet)(1999)

    Producer · as CD Rom (Voice)

  • American Daughter (not in the MovieCove catalog yet)(1995)

    Line Producer

  • Mod Fuck Explosion (not in the MovieCove catalog yet)(1994)

    Producer · as Drummer

  • I Don't Hate Las Vegas Anymore(1994)

    Producer

    Midcredits score: 77th percentile of all films

  • The Bed You Sleep In (not in the MovieCove catalog yet)(1993)

    Producer

  • Frameup (not in the MovieCove catalog yet)(1993)

    Producer

  • The Living End(1992)

    Executive Producer

    Midcredits score: 72nd percentile of all films

  • All the Vermeers in New York (not in the MovieCove catalog yet)(1992)

    Producer

  • Sure Fire (not in the MovieCove catalog yet)(1990)

    Producer

  • Rembrandt Laughing (not in the MovieCove catalog yet)(1989)

    Sound Recordist · as Stephen

  • Blood Orgy of the Leather Girls (not in the MovieCove catalog yet)(1988)

    as Policeman / Ninja Student

Career shape

A full career of 15 titles from 1988 to 2022.

Biggest box office

The Living End (1992)

$693K worldwide

Highest rated

The Devil and Daniel Johnston (2005)

Midcredits 97th

Most popular right now

Almost Royal (2014)

By role

only this rolewith another role
Acting4 of 15: 1 only acting, 3 with another roleProducing13 of 15: 11 only producing, 2 with another role · typical Midcredits score72ndOther crew1 of 15: 0 only other crew, 1 with another role

15 titles, 3 with more than one role — producing and acting overlap on 2 of them.

By decade

1980s2 · 2 acting · 1 crew1990s9 · 2 acting · 9 crew2000s2 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Henry S. Rosenthal's films land?

Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 7

Approval · how many liked their films

65thpercentile
Typical film, the median of 7

Reach · how many have seen their films

68thpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • 75th and up3
  • 50th to 74th4
  • 25th to 49th1

Shape of the crowd

3 of their 8 titles are Crowd Pleasers.

  • Universally Loved1
  • Cult Classic1
  • Crowd Pleaser3
  • Mixed3

Most divisive · producer

Bill Nye: Science Guy (2017)

89th percentile spread · 21% rated it 4 or lower

Most loved · producer

The Devil and Daniel Johnston (2005)

Midcredits 97th · 89% liked

Reviewers score the acting 64/100 in their films, across 5 reviewed titles; fans 72, detractors 37. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Henry S. Rosenthal work with?

People who share at least 2 of Henry S. Rosenthal's MovieCove titles, grouped by what they did on them; David Alvarado shares the most, 2.

Directors

Editors

Producers