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Kenneth Ross

Writer · Born September 16, 1941 (85) · London, England

Born
September 16, 1941 (85)
From
London, England
Works as
Writer
Titles
7 on MovieCove
TMDB popularity, last 37 days to Oct 26Down 15% in 30 days

What are Kenneth Ross' films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 2 · Dark 3

A split, not a type: Grounded 4 · Stylized 2 · Heightened 0

A split, not a type: Gentle 1 · Charged 1 · Intense 4

Steady 2 · Shifting 4 · Whiplash 0

Straight-faced 5 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 4 · Relentless 1

A split, not a type: Casual 2 · Engaged 1 · Full focus 3

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Thrilling
4
Contemplative
3
Dread
1
Hopeful
1
Other
4

How their films end · 2 with a twist

  • Happy1
  • Bittersweet4
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kenneth Ross' films?

As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Kenneth Ross' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • The Jackal(1997)

    Original Film Writer

    Midcredits score: 54th percentile of all films
  • Space Jam(1996)

    Executive Producer · Music Supervisor

    Midcredits score: 67th percentile of all films
  • The Fourth War(1990)

    Screenplay

    Midcredits score: 26th percentile of all films
  • Black Sunday(1977)

    Screenplay

    Midcredits score: 71st percentile of all films
  • The Odessa File(1974)

    Screenplay

    Midcredits score: 80th percentile of all films
  • The Day of the Jackal(1973)

    Screenplay

    Midcredits score: 97th percentile of all films
  • Brother Sun, Sister Moon(1972)

    Screenplay

    Midcredits score: 82nd percentile of all films

Career shape

A full career of 7 titles from 1972 to 1997.

By role

only this rolewith another role
Writing6 of 7: 6 only writing, 0 with another role · typical Midcredits score76thProducing1 of 7: 0 only producing, 1 with another roleOther crew1 of 7: 0 only other crew, 1 with another role

By decade

1970s4 · crew1990s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Kenneth Ross' films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 6

Approval · how many liked their films

77thpercentile
Typical film, the median of 6

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 6

Midcredits score across 7 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th1

Shape of the crowd

None of their 7 titles divides audiences: 5 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser5
  • Broadly Agreed1

Reviewers score the dialogue 50/100 and the plot and story 51/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Kenneth Ross' work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 81 · severeMedian of all films: 44
Sex & Nudity4 titlesmedian 28 · mildMedian of all films: 32
Profanity3 titlesmedian 40 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 36 · moderateMedian of all films: 33
Frightening / Intense3 titlesmedian 64 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Kenneth Ross work with?

People who share at least 2 of Kenneth Ross' MovieCove titles, grouped by what they did on them; John Frankenheimer shares the most, 2.

Directors

Writers

Editors

Producers