Susana Rossberg

What are Susana Rossberg's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Susana Rossberg's films?

As of October 17, 2026, none of Susana Rossberg's 3 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Susana Rossberg's titles on MovieCove; rent and buy are not counted.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Home(2008)

  Editor

  Midcredits score: 81st percentile of all films81^st
• 

  The Eighth Day(1996)

  Editor

  Midcredits score: 91st percentile of all films91^st
• 

  Toto the Hero(1991)

  Editor

  Midcredits score: 90th percentile of all films90^th

Career shape

Across a limited sample of 3 MovieCove titles from 1991 to 2008.

Biggest box office

The Eighth Day (1996)

$33M worldwide

Highest rated

The Eighth Day (1996)

Midcredits 91^st

How do Susana Rossberg's films land?

Their typical MovieCove film has a Midcredits score in the 90^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 87^th percentile for acclaim.

Shape of the crowd

None of their 3 titles divides audiences: 2 are Universally Loved.

21

• Universally Loved2
• Crowd Pleaser1

Most loved · editor

The Eighth Day (1996)

Midcredits 91^st · 81% liked

Reviewers score the pacing 52/100 in their films, across 3 reviewed titles; fans 57, detractors 37. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Susana Rossberg work with?

People who share at least 2 of Susana Rossberg's MovieCove titles, grouped by what they did on them; Jaco Van Dormael shares the most, 2.