Leo Rosten
- Writer
- 11 on MovieCove · 13 credits in all
What are Leo Rosten's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 10
A split, not a type: Light 2 · Serious 3 · Dark 6
Grounded 5 · Stylized 5 · Heightened 1
Gentle 3 · Charged 5 · Intense 3
Steady 5 · Shifting 6 · Whiplash 0
A split, not a type: Straight-faced 7 · Some laughs 2 · Funny 2
Slow burn 1 · Even-paced 10 · Relentless 0
Casual 4 · Engaged 7 · Full focus 0
Easy watch 4 · Affecting 5 · Heavy 2
Resolved 10 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet4
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Leo Rosten's films?
As of October 24, 2026, 5 of their 11 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Leo Rosten's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 11 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Captain Newman, M.D.(1963)
Midcredits score: 76th percentile of all films
Mister Cory (not in the MovieCove catalog yet)(1957)
Walk East on Beacon (not in the MovieCove catalog yet)(1952)
Double Dynamite(1951)
Midcredits score: 39th percentile of all films
Midcredits score: 70th percentile of all films
Where Danger Lives(1950)
Midcredits score: 66th percentile of all films
The Velvet Touch(1948)
Midcredits score: 71st percentile of all films
Sleep, My Love(1948)
Midcredits score: 76th percentile of all films
Lured(1947)
Midcredits score: 80th percentile of all films
The Dark Corner(1946)
Midcredits score: 82nd percentile of all films
The Conspirators(1944)
Midcredits score: 61st percentile of all films
They Got Me Covered(1943)
Midcredits score: 65th percentile of all films
All Through the Night(1942)
Midcredits score: 83rd percentile of all films
Career shape
A full career of 12 titles from 1942 to 1963.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Leo Rosten's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up5
- 50th to 74th5
- 25th to 49th1
Shape of the crowd
None of their 11 titles divides audiences: 10 are Crowd Pleasers.
- Crowd Pleaser10
- Broadly Agreed1
Reviewers score the dialogue 63/100 and the plot and story 49/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Leo Rosten work with?
People who share at least 2 of Leo Rosten's MovieCove titles, grouped by what they did on them; Douglas Sirk shares the most, 2.
Directors
- Douglas SirkShared titles: Sleep, My Love (1948), Lured (1947)See all 2 shared titles with Douglas Sirk
Writers
- Leonard SpigelgassShared titles: They Got Me Covered (1943), All Through the Night (1942)See all 2 shared titles with Leonard Spigelgass
Actors
- Frank McHughShared titles: The Velvet Touch (1948), All Through the Night (1942)See all 2 shared titles with Frank McHugh
- Sydney GreenstreetShared titles: The Velvet Touch (1948), The Conspirators (1944)See all 2 shared titles with Sydney Greenstreet
- Joseph CalleiaShared titles: Lured (1947), The Conspirators (1944)See all 2 shared titles with Joseph Calleia
- Lucille BallShared titles: Lured (1947), The Dark Corner (1946)See all 2 shared titles with Lucille Ball
Composers and editors
- Leigh HarlineShared titles: Double Dynamite (1951), They Got Me Covered (1943)See all 2 shared titles with Leigh Harline
- Rudi FehrShared titles: The Conspirators (1944), All Through the Night (1942)See all 2 shared titles with Rudi Fehr
Producers
- Irving Cummings Jr.Shared titles: Double Dynamite (1951), Where Danger Lives (1950)See all 2 shared titles with Irving Cummings Jr.
- Irwin AllenShared titles: Double Dynamite (1951), Where Danger Lives (1950)See all 2 shared titles with Irwin Allen
