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Paul S. Rowlston

Writer and producer, also director

Works as
Writer and producer, also director
Titles
6 on MovieCove · 10 credits in all
TMDB popularity, last 37 days to Oct 26Down 35% in 30 days

What are Paul S. Rowlston's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Themes

share of theme weight
Morality
25%
Power
23%
Survival
21%
Self
13%
Bonds
9%
Society
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 0 · Serious 1 · Dark 2

Grounded 3 · Stylized 0 · Heightened 0

Gentle 0 · Charged 3 · Intense 0

Steady 1 · Shifting 2 · Whiplash 0

A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
1
Hopeful
2
Dread
1
Contemplative
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Paul S. Rowlston's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Paul S. Rowlston's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 6 with a MovieCove page.

  • The Almajiri(2026)

    Script Consultant · Story

    Midcredits score: 36th percentile of all films (provisional, few ratings)
  • The Lost Days(2025)

    Writer

    Midcredits score: 30th percentile of all films (provisional, few ratings)
  • Katangari Goes to Town (not in the MovieCove catalog yet)(2025)

    Writer

  • Fatal Seduction(2023)

    Show 10 episodes · Head of Story · Writer

    Midcredits score: 8th percentile of all shows
  • 93 Days (not in the MovieCove catalog yet)(2016)

    Screenplay

  • Siri(2009)

    Show Director

  • Prey for the Hunter(1990)

    Producer · Screenplay

    Midcredits score: 1st percentile of all films
  • Pursuit(1991)

    Screenplay

    Midcredits score: 11th percentile of all films
  • Forced Alliance (not in the MovieCove catalog yet)(1989)

    Production Manager

  • Rhino (not in the MovieCove catalog yet)(1988)

    Executive Producer · Production Manager

Career shape

A full career of 9 titles from 1988 to 2026.

By role

only this rolewith another role
Writing7 of 9: 7 only writing, 0 with another role · typical Midcredits score11thProducing1 of 9: 0 only producing, 1 with another roleOther crew2 of 9: 1 only other crew, 1 with another role

By decade

1980s2 · crew1990s2 · crew2010s1 · crew2020s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Paul S. Rowlston's films land?

Their typical MovieCove film has a Midcredits score in the 21st percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 10th percentile for acclaim.

Acclaim · how much people like their films

10thpercentile
Typical film, the median of 3

Approval · how many liked their films

15thpercentile
Typical film, the median of 3

Reach · how many have seen their films

6thpercentile
Typical film, the median of 3

Midcredits score across 5 titles, by percentile

  • 25th to 49th2
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Paul S. Rowlston work with?

People who share at least 2 of Paul S. Rowlston's MovieCove titles, grouped by what they did on them; John H. Parr shares the most, 2.

Directors

Actors

Producers