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Ernest G. Roy

Producer · London, England, UK

From
London, England, UK
Works as
Producer
Titles
3 on MovieCove · 12 credits in all
TMDB popularity, last 39 days to Oct 28Down 3% in 30 days

What are Ernest G. Roy's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Themes

share of theme weight
Morality
40%
Self
19%
Power
19%
Bonds
13%
Society
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 0 · Heightened 0

Gentle 0 · Charged 3 · Intense 0

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
2
Hopeful
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ernest G. Roy's films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service, on Tubi (1).

Subscription and free streaming for Ernest G. Roy's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 3 with a MovieCove page.

  • Roadhouse Girl(1953)

    Producer

    Midcredits score: 19th percentile of all films
  • The Broken Horseshoe (not in the MovieCove catalog yet)(1953)

    Producer

  • Salute the Toff (not in the MovieCove catalog yet)(1952)

    Producer

  • Paul Temple Returns (not in the MovieCove catalog yet)(1952)

    Producer

  • The Hundred Hour Hunt(1952)

    Producer

    Midcredits score: 41st percentile of all films
  • There Is Another Sun (not in the MovieCove catalog yet)(1951)

    Producer

  • Scarlet Thread(1951)

    Producer

    Midcredits score: 18th percentile of all films
  • Something in the City (not in the MovieCove catalog yet)(1950)

    Producer

  • Paul Temple's Triumph (not in the MovieCove catalog yet)(1950)

    Producer

  • The Monkey's Paw (not in the MovieCove catalog yet)(1948)

    Producer

  • Calling Paul Temple (not in the MovieCove catalog yet)(1948)

    Producer

  • The Hills of Donegal (not in the MovieCove catalog yet)(1947)

    Executive Producer

Career shape

A full career of 12 titles from 1947 to 1953.

By role

only this rolewith another role
Producing12 of 12: 12 only producing, 0 with another role

By decade

1940s3 · crew1950s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Ernest G. Roy's films land?

Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 24th percentile for acclaim.

Acclaim · how much people like their films

24thpercentile
Typical film, the median of 3

Approval · how many liked their films

18thpercentile
Typical film, the median of 3

Reach · how many have seen their films

23rdpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 25th to 49th1
  • Below 25th2

Shape of the crowd

None of their 3 titles divides audiences: 3 are Broadly Agreed.

  • Broadly Agreed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ernest G. Roy work with?

People who share at least 2 of Ernest G. Roy's MovieCove titles, grouped by what they did on them; Lewis Gilbert shares the most, 2.

Directors

Actors

Composers and cinematographers