- Producer
- 19 on MovieCove · 22 credits in all
What are Mark Roybal's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 13
Light 1 · Serious 4 · Dark 8
A split, not a type: Grounded 7 · Stylized 1 · Heightened 5
Gentle 0 · Charged 5 · Intense 8
Steady 2 · Shifting 10 · Whiplash 1
Straight-faced 9 · Some laughs 3 · Funny 1
Slow burn 4 · Even-paced 6 · Relentless 3
Casual 3 · Engaged 5 · Full focus 5
Easy watch 1 · Affecting 3 · Heavy 9
A split, not a type: Resolved 6 · Open-ended 3 · Ambiguous 4
Moods and endings
- Happy2
- Bittersweet6
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Mark Roybal's films?
As of October 24, 2026, 15 of their 19 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Mark Roybal's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 19 with a MovieCove page.
Task(2025)
Midcredits score: 89th percentile of all shows
White House Plumbers(2023)
Midcredits score: 36th percentile of all shows
Those Who Wish Me Dead(2021)
Midcredits score: 40th percentile of all films
Mare of Easttown(2021)
Midcredits score: 98th percentile of all shows
Trance(2013)
Midcredits score: 73rd percentile of all films
Stoker(2013)
Midcredits score: 71st percentile of all films
Breathe In(2013)
Midcredits score: 54th percentile of all films
Not Fade Away(2012)
Midcredits score: 44th percentile of all films
Midcredits score: 70th percentile of all films
Moonrise Kingdom(2012)
Midcredits score: 97th percentile of all films
Midcredits score: 71st percentile of all films
Like Crazy(2011)
Midcredits score: 68th percentile of all films
Doubt(2008)
Midcredits score: 94th percentile of all films
Stop-Loss(2008)
Midcredits score: 57th percentile of all films
No Country for Old Men(2007)
Midcredits score: 99th percentile of all films
Shaft(2000)
Midcredits score: 39th percentile of all films
Sleepy Hollow(1999)
Midcredits score: 89th percentile of all films
Bringing Out the Dead(1999)
Midcredits score: 77th percentile of all films
Midcredits score: 95th percentile of all films
Adamtine (not in the MovieCove catalog yet)
Hold On to Me (not in the MovieCove catalog yet)
The Corrections (not in the MovieCove catalog yet)
Career shape
A full career of 21 titles, 18 of them dated from 1999 to 2025.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
Awards
1 major award from 2 major nominations, 2021–2022.
- Producers Guild Award, won · Outstanding Producer of Limited or Anthology Series Television
- Primetime Emmy, nominated · Outstanding Limited or Anthology Series
Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.
How do Mark Roybal's films land?
Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 16; across their 13 films with reception data, the typical film sits in the 70th percentile for acclaim.
- 75th and up8
- 50th to 74th7
- 25th to 49th4
Shape of the crowd
None of their 19 titles divides audiences: 10 are Crowd Pleasers.
- Universally Loved5
- Crowd Pleaser10
- Broadly Agreed3
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Mark Roybal's work okay for kids?
Across up to 13 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Mark Roybal work with?
People who share at least 2 of Mark Roybal's MovieCove titles, grouped by what they did on them; Scott Rudin shares the most, 7.
Directors
- Drake DoremusShared titles: Breathe In (2013), Like Crazy (2011)See all 2 shared titles with Drake Doremus
Writers
- Ben York JonesShared titles: Breathe In (2013), Like Crazy (2011)See all 2 shared titles with Ben York Jones
Actors
- Felicity JonesShared titles: Breathe In (2013), Like Crazy (2011)See all 2 shared titles with Felicity Jones
- Jeffrey WrightShared titles: Extremely Loud & Incredibly Close (2011), Shaft (2000)See all 2 shared titles with Jeffrey Wright
- John GoodmanShared titles: Extremely Loud & Incredibly Close (2011), Bringing Out the Dead (1999)See all 2 shared titles with John Goodman
- Viola DavisShared titles: Extremely Loud & Incredibly Close (2011), Doubt (2008)See all 2 shared titles with Viola Davis
Composers, cinematographers and editors
- Dustin O'HalloranShared titles: Breathe In (2013), Like Crazy (2011)See all 2 shared titles with Dustin O'Halloran
- John GuleserianShared titles: Breathe In (2013), Like Crazy (2011)See all 2 shared titles with John Guleserian
- Jonathan AlbertsShared titles: Breathe In (2013), Like Crazy (2011)See all 2 shared titles with Jonathan Alberts
- Roger DeakinsShared titles: Doubt (2008), No Country for Old Men (2007)See all 2 shared titles with Roger Deakins
Producers
- Scott RudinShared titles: Extremely Loud & Incredibly Close (2011), Doubt (2008), No Country for Old Men (2007), Shaft (2000), Bringing Out the Dead (1999), Sleepy Hollow (1999), South Park: Bigger, Longer & Uncut (1999)See all 7 shared titles with Scott Rudin
- Steven RalesShared titles: Breathe In (2013), Stoker (2013), Trance (2013), Seeking a Friend for the End of the World (2012), Like Crazy (2011)See all 5 shared titles with Steven Rales
- Celia D. CostasShared titles: Extremely Loud & Incredibly Close (2011), Doubt (2008), Sleepy Hollow (1999)See all 3 shared titles with Celia D. Costas
- Adam SchroederShared titles: Bringing Out the Dead (1999), Sleepy Hollow (1999), South Park: Bigger, Longer & Uncut (1999)See all 3 shared titles with Adam Schroeder
