- Writer and actor
- 6 on MovieCove · 25 credits in all
What are Miguel Rubio's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 3 · Serious 1 · Dark 2
Grounded 2 · Stylized 3 · Heightened 1
Gentle 1 · Charged 4 · Intense 1
Steady 5 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 3
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 2 · Full focus 0
Easy watch 3 · Affecting 3 · Heavy 0
A split, not a type: Resolved 3 · Open-ended 1 · Ambiguous 2
Moods and endings
- Happy1
- Bittersweet1
- Tragic1
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Miguel Rubio's films?
As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Miguel Rubio's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
25 credits, 6 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

España pais de la automocion (not in the MovieCove catalog yet)(2014)

The Color of the Clouds (not in the MovieCove catalog yet)(1997)

Tatiana, la muñeca rusa(1995)
Midcredits score: 9th percentile of all films (provisional, few ratings)
Adolescencia (not in the MovieCove catalog yet)(1982)

Tres mujeres de hoy (not in the MovieCove catalog yet)(1980)
Midcredits score: 19th percentile of all films (provisional, few ratings)
Esposa y amante (not in the MovieCove catalog yet)(1977)

Los días del pasado (not in the MovieCove catalog yet)(1977)

La violación (not in the MovieCove catalog yet)(1977)

Striptease (not in the MovieCove catalog yet)(1976)

A Long Return (not in the MovieCove catalog yet)(1975)

Sensualidad (not in the MovieCove catalog yet)(1975)

Una mujer de cabaret (not in the MovieCove catalog yet)(1974)

Let Sleeping Corpses Lie(1974)
Midcredits score: 70th percentile of all films
The House of the Doves(1972)
Midcredits score: 12th percentile of all films
Juan Pedro the Scyther (not in the MovieCove catalog yet)(1970)

Los extremeños se tocan(1970)
Midcredits score: 4th percentile of all films (provisional, few ratings)
The Wind's Fierce(1970)
Midcredits score: 25th percentile of all films
Life Goes On (not in the MovieCove catalog yet)(1969)

Cantando a la vida (not in the MovieCove catalog yet)(1969)

Sea crusade (not in the MovieCove catalog yet)(1968)

Volver a vivir (not in the MovieCove catalog yet)(1968)

Los chicos con las chicas (not in the MovieCove catalog yet)(1967)

Las salvajes en Puente San Gil (not in the MovieCove catalog yet)(1967)

When You Are Not Here (not in the MovieCove catalog yet)(1966)
Career shape
A full career of 24 titles from 1966 to 2014.
How do Miguel Rubio's films land?
Their typical MovieCove film has a Midcredits score in the 16th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 27th percentile for acclaim.
- 50th to 74th1
- 25th to 49th1
- Below 25th4
Shape of the crowd
4 of their 6 titles are Mixed.
- Crowd Pleaser1
- Broadly Agreed1
- Mixed4
Reviewers score the plot and story 53/100 in their films, across 3 reviewed titles; fans 65, detractors 45. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Miguel Rubio work with?
People who share at least 2 of Miguel Rubio's MovieCove titles; Juan Cobos shares the most, 2.
- Juan CobosShared titles: El rediezcubrimiento de México (1979), Let Sleeping Corpses Lie (1974)See all 2 shared titles with Juan Cobos
- Ornella MutiShared titles: Tatiana, la muñeca rusa (1995), The House of the Doves (1972)See all 2 shared titles with Ornella Muti




