Emile de Ruelle
Editor · Died September 14, 1948, aged 67
- December 24, 1880
- September 14, 1948 (aged 67)
- Editor
- 4 on MovieCove · 23 credits in all
What are Emile de Ruelle's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 2 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 1
Steady 0 · Shifting 3 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 4 · Even-paced 0 · Relentless 0
Casual 1 · Engaged 2 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2
A split, not a type: Resolved 1 · Open-ended 3 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Emile de Ruelle's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Emile de Ruelle's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
23 credits, 4 with a MovieCove page.
L'indésirable (not in the MovieCove catalog yet)(1933)
Children of Chance (not in the MovieCove catalog yet)(1930)
The Middle Watch (not in the MovieCove catalog yet)(1930)
Why Sailors Leave Home (not in the MovieCove catalog yet)(1930)
Murder!(1930)
Midcredits score: 50th percentile of all films
Two Worlds (not in the MovieCove catalog yet)(1930)
Juno and the Paycock(1930)
Midcredits score: 4th percentile of all films
Loose Ends (not in the MovieCove catalog yet)(1930)
Elstree Calling(1930)
Midcredits score: 12th percentile of all films
Atlantic (not in the MovieCove catalog yet)(1929)
Alf's Carpet (not in the MovieCove catalog yet)(1929)
The Informer (not in the MovieCove catalog yet)(1929)
Blackmail(1929)
Midcredits score: 77th percentile of all films
A Romance of Seville (not in the MovieCove catalog yet)(1929)
The Vagabond Queen (not in the MovieCove catalog yet)(1929)
The Manxman (not in the MovieCove catalog yet)(1929)
Paradise (not in the MovieCove catalog yet)(1928)
Stand and Deliver (not in the MovieCove catalog yet)(1928)
A Ship Comes In (not in the MovieCove catalog yet)(1928)
Dress Parade (not in the MovieCove catalog yet)(1927)
The Fighting Eagle (not in the MovieCove catalog yet)(1927)
Vanity (not in the MovieCove catalog yet)(1927)
A Prince of a King (not in the MovieCove catalog yet)(1923)
Career shape
A full career of 23 titles from 1923 to 1933.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Emile de Ruelle's films land?
Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 36th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- Below 25th2
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Mixed2
Reviewers score the pacing 37/100 in their films, across 4 reviewed titles; fans 50, detractors 23. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Emile de Ruelle work with?
People who share at least 2 of Emile de Ruelle's MovieCove titles, grouped by what they did on them; Alfred Hitchcock shares the most, 4.
Directors
- Alfred HitchcockShared titles: Elstree Calling (1930), Juno and the Paycock (1930), Murder! (1930), Blackmail (1929)See all 4 shared titles with Alfred Hitchcock
Writers
- Alma RevilleShared titles: Juno and the Paycock (1930), Murder! (1930)See all 2 shared titles with Alma Reville
- Walter C. MycroftShared titles: Elstree Calling (1930), Murder! (1930)See all 2 shared titles with Walter C. Mycroft
Actors
- John LongdenShared titles: Elstree Calling (1930), Juno and the Paycock (1930), Blackmail (1929)See all 3 shared titles with John Longden
- Donald CalthropShared titles: Murder! (1930), Blackmail (1929)See all 2 shared titles with Donald Calthrop
- Edward ChapmanShared titles: Juno and the Paycock (1930), Murder! (1930)See all 2 shared titles with Edward Chapman
- Hannah JonesShared titles: Elstree Calling (1930), Blackmail (1929)See all 2 shared titles with Hannah Jones
Cinematographers
- Jack E. CoxShared titles: Juno and the Paycock (1930), Murder! (1930), Blackmail (1929)See all 3 shared titles with Jack E. Cox
Producers
- John MaxwellShared titles: Elstree Calling (1930), Juno and the Paycock (1930), Murder! (1930), Blackmail (1929)See all 4 shared titles with John Maxwell