Federico Ruiz
- Composer
- 4 on MovieCove
What are Federico Ruiz's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 1 · Dark 0
Grounded 2 · Stylized 2 · Heightened 0
Gentle 1 · Charged 3 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 0 · Funny 3
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 4 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 0 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Federico Ruiz's films?
As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Federico Ruiz's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
Pistolas de oro(1959)
Midcredits score: 28th percentile of all films (provisional, few ratings)
Drop the Curtain(1955)
Midcredits score: 80th percentile of all films
Yo quiero ser tonta(1950)
Midcredits score: 28th percentile of all films (provisional, few ratings)
Calabacitas tiernas(1949)
Midcredits score: 81st percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1949 to 1959.
How do Federico Ruiz's films land?
Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up2
- 25th to 49th2
Shape of the crowd
2 of their 4 titles are Crowd Pleasers.
- Crowd Pleaser2
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Federico Ruiz work with?
People who share at least 2 of Federico Ruiz's MovieCove titles, grouped by what they did on them; Jorge Bustos shares the most, 3.
Directors
- Miguel M. DelgadoShared titles: Pistolas de oro (1959), Drop the Curtain (1955)See all 2 shared titles with Miguel M. Delgado
Writers
- Eduardo UgarteShared titles: Yo quiero ser tonta (1950), Calabacitas tiernas (1949)See all 2 shared titles with Eduardo Ugarte
Actors
- Rosita QuintanaShared titles: Yo quiero ser tonta (1950), Calabacitas tiernas (1949)See all 2 shared titles with Rosita Quintana
Cinematographers and editors
- Jorge BustosShared titles: Pistolas de oro (1959), Drop the Curtain (1955), Calabacitas tiernas (1949)See all 3 shared titles with Jorge Bustos
- Víctor HerreraShared titles: Pistolas de oro (1959), Drop the Curtain (1955)See all 2 shared titles with Víctor Herrera
Mixed roles
- Alfredo VarelaShared titles: Pistolas de oro (1959), Yo quiero ser tonta (1950)See all 2 shared titles with Alfredo Varela
