Susan Ruskin
- Producer
- 3 on MovieCove
What are Susan Ruskin's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 1
Light 3 · Serious 0 · Dark 0
Grounded 1 · Stylized 2 · Heightened 0
A split, not a type: Gentle 2 · Charged 0 · Intense 1
Steady 1 · Shifting 1 · Whiplash 1
A split, not a type: Straight-faced 1 · Some laughs 0 · Funny 2
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Susan Ruskin's films?
As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Susan Ruskin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
Anaconda(1997)
Midcredits score: 12th percentile of all films
Haunted Honeymoon(1986)
Midcredits score: 32nd percentile of all films
The Woman in Red(1984)
Midcredits score: 39th percentile of all films
Career shape
A full career of 3 titles from 1984 to 1997.
How do Susan Ruskin's films land?
Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 30th percentile for acclaim.
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Mixed.
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Susan Ruskin work with?
People who share at least 2 of Susan Ruskin's MovieCove titles, grouped by what they did on them; Gene Wilder shares the most, 2.
Directors
- Gene WilderShared titles: Haunted Honeymoon (1986), The Woman in Red (1984)See all 2 shared titles with Gene Wilder
Actors
- Gilda RadnerShared titles: Haunted Honeymoon (1986), The Woman in Red (1984)See all 2 shared titles with Gilda Radner
Composers, cinematographers and editors
- Christopher GreenburyShared titles: Haunted Honeymoon (1986), The Woman in Red (1984)See all 2 shared titles with Christopher Greenbury
- Fred SchulerShared titles: Haunted Honeymoon (1986), The Woman in Red (1984)See all 2 shared titles with Fred Schuler
- John MorrisShared titles: Haunted Honeymoon (1986), The Woman in Red (1984)See all 2 shared titles with John Morris
