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Esther P. Russell

Editor

Works as
Editor
Titles
8 on MovieCove · 14 credits in all
TMDB popularity, last 39 days to Oct 28Down 18% in 30 days

What are Esther P. Russell's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Self.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 2 · Dark 3

A split, not a type: Grounded 4 · Stylized 2 · Heightened 0

Gentle 1 · Charged 4 · Intense 1

Steady 2 · Shifting 3 · Whiplash 1

Straight-faced 4 · Some laughs 2 · Funny 0

Slow burn 2 · Even-paced 4 · Relentless 0

Casual 1 · Engaged 5 · Full focus 0

Resolved 1 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
4
Dread
3
Warm
1
Manic
1
Other
2

How their films end · 1 with a twist

  • Bittersweet3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Esther P. Russell's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Esther P. Russell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 8 with a MovieCove page.

  • Evil Remains(2004)

    Editor

    Midcredits score: 5th percentile of all films
  • Connecting Dots (not in the MovieCove catalog yet)(2003)

    Editor

  • The Ultimate Game (not in the MovieCove catalog yet)(2001)

    Editor

  • SLC Punk!(1998)

    Editor

    Midcredits score: 89th percentile of all films
  • Midcredits score: 20th percentile of all films
  • Hit Me(1996)

    Additional Editing

    Midcredits score: 27th percentile of all films
  • The First Man (not in the MovieCove catalog yet)(1996)

    Editor

  • The Real Thing(1996)

    Editor

    Midcredits score: 14th percentile of all films
  • Terrified(1994)

    Editor

    Midcredits score: 5th percentile of all films
  • The Upstairs Neighbour (not in the MovieCove catalog yet)(1994)

    Editor

  • The Killing Box(1993)

    Editor

    Midcredits score: 11th percentile of all films
  • Evil Toons (not in the MovieCove catalog yet)(1992)

    Post Production Coordinator

  • Soulmates (not in the MovieCove catalog yet)(1992)

    Editor

  • Slumber Party Massacre III(1990)

    Post Production Coordinator

    Midcredits score: 10th percentile of all films

Career shape

A full career of 14 titles from 1990 to 2004.

By role

only this rolewith another role
Editing11 of 14: 11 only editing, 0 with another role · typical Midcredits score13thOther crew3 of 14: 3 only other crew, 0 with another role

By decade

1990s11 · crew2000s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Esther P. Russell's films land?

Their typical MovieCove film has a Midcredits score in the 13th percentile, the median of all 8; across their 6 films with reception data, the typical film sits in the 17th percentile for acclaim.

Acclaim · how much people like their films

17thpercentile
Typical film, the median of 6

Approval · how many liked their films

12thpercentile
Typical film, the median of 6

Reach · how many have seen their films

43rdpercentile
Typical film, the median of 6

Midcredits score across 8 titles, by percentile

  • 75th and up1
  • 25th to 49th1
  • Below 25th6

Reviewers score the pacing 40/100 in their films, across 4 reviewed titles; fans 62, detractors 28. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Esther P. Russell work with?

People who share at least 2 of Esther P. Russell's MovieCove titles, grouped by what they did on them; James Merendino shares the most, 5.

Directors

Actors

Cinematographers

Producers

Mixed roles