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Mike Saenz

Editor, actor and producer · Born November 20, 1972 (53) · Howard AFB, Panama City, Panama

Mike Saenz is a filmmaker based in Austin, Texas. His USC short film, "Casablanca" was an official selection at the Sundance Film Festival. As Editor, he has cut feature films and documentaries, both long form and short. His first feature as Editor, "Special," was selected for the 2006 Sundance Film Festival. He cut "In Perpetuity," a documentary featurette produced by the USC Shoah Foundation Institute in partnership with Steven Spielberg. The film aired with "Schindler's List" on HBO. Mike cut Richard Linklater's first television series, "Up to Speed," featuring Timothy "Speed" Levitch, and has worked as Assistant Editor for Sandra Adair on Linklater's "Bernie," "Before Midnight," and That's What I'm Talking About." He was First Assistant Editor for Sandra Adair on "Boyhood," which was nominated for the 2015 Academy Award for Best Film Editing.

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Biography from IMDb.

Born
November 20, 1972 (53)
From
Howard AFB, Panama City, Panama
Works as
Editor, actor and producer
Titles
9 on MovieCove · 12 credits in all
TMDB popularity, last 39 days to Oct 28Down 34% in 30 days

What are Mike Saenz's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Ideas.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 1 · Dark 1

Grounded 5 · Stylized 1 · Heightened 0

Gentle 2 · Charged 3 · Intense 1

Steady 4 · Shifting 2 · Whiplash 0

A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 1

A split, not a type: Slow burn 4 · Even-paced 1 · Relentless 1

Casual 4 · Engaged 2 · Full focus 0

A split, not a type: Resolved 4 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Contemplative
4
Tense
3
Joyful
2
Absurd
3
Dread
1
Other
5

How their films end · 2 with a twist

  • Happy2
  • Bittersweet3
  • Ambiguous2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mike Saenz's films?

As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Mike Saenz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 9 with a MovieCove page.

  • Chop & Steele(2022)

    Editor · Producer

    Midcredits score: 90th percentile of all films
  • Kid 90(2021)

    Additional Editor

    Midcredits score: 70th percentile of all films
  • Fugitive Dreams (not in the MovieCove catalog yet)(2020)

    Editor

  • Happy Jail(2019)

    Show Editor

    Midcredits score: 37th percentile of all shows
  • The Honor Farm(2017)

    Editor

    Midcredits score: 6th percentile of all films
  • The Citizen(2012)

    Editor

    Midcredits score: 73rd percentile of all films
  • Up to Speed(2012)

    Show Editor · as Insane Ancient Roman Column

    Midcredits score: 33rd percentile of all shows
  • Broken Hill (not in the MovieCove catalog yet)(2009)

    Editor

  • Midcredits score: 37th percentile of all films
  • Special(2006)

    Editor · as Depressed Guy

    Midcredits score: 68th percentile of all films
  • Unrest(2006)

    Editor

    Midcredits score: 16th percentile of all films
  • Casablanca (not in the MovieCove catalog yet)(2002)

    Co-Producer · Writer

Career shape

A full career of 9 titles from 2002 to 2022.

Film career

By role

only this rolewith another role
Acting1 of 9: 0 only acting, 1 with another roleWriting1 of 9: 0 only writing, 1 with another roleProducing1 of 9: 0 only producing, 1 with another roleEditing8 of 9: 7 only editing, 1 with another role · typical Midcredits score53rd

By decade

2000s5 · 1 acting · 5 crew2010s1 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mike Saenz's films land?

Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 6

Approval · how many liked their films

57thpercentile
Typical film, the median of 6

Reach · how many have seen their films

66thpercentile
Typical film, the median of 6

Midcredits score across 9 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th3
  • Below 25th2

Reviewers score the pacing 42/100 in their films, across 6 reviewed titles; fans 61, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mike Saenz work with?

People who share at least 2 of Mike Saenz's MovieCove titles, grouped by what they did on them; Graham Reynolds shares the most, 3.

Directors

Actors

Composers and cinematographers

Producers