Michel Safra
- Producer
- 7 on MovieCove · 18 credits in all
What are Michel Safra's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
A split, not a type: Ironic 2 · Wry 0 · Earnest 3
Light 2 · Serious 3 · Dark 1
Grounded 0 · Stylized 5 · Heightened 1
Gentle 2 · Charged 2 · Intense 2
Steady 4 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 0 · Funny 2
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 3
Resolved 4 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy3
- Tragic1
- Ambiguous1
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Michel Safra's films?
As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Michel Safra's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 7 with a MovieCove page.

Sorrel Flower (not in the MovieCove catalog yet)(1967)

The Diabolical Dr. Z (not in the MovieCove catalog yet)(1966)

Attack of the Robots (not in the MovieCove catalog yet)(1966)

Diary of a Chambermaid(1964)
Midcredits score: 90th percentile of all films
Scorching Sands(1963)
Midcredits score: 37th percentile of all films
Bird of Paradise (not in the MovieCove catalog yet)(1962)

Madame(1961)
Midcredits score: 40th percentile of all films
Adorable Sinner(1959)
Midcredits score: 39th percentile of all films
Paris, Palace Hôtel (not in the MovieCove catalog yet)(1956)

Diary of a Bad Girl (not in the MovieCove catalog yet)(1956)

Black Dossier (not in the MovieCove catalog yet)(1955)

Flesh and the Woman (not in the MovieCove catalog yet)(1954)

Casque d'Or(1952)
Midcredits score: 94th percentile of all films
Just Me (not in the MovieCove catalog yet)(1950)

Lady Paname (not in the MovieCove catalog yet)(1950)

A Royal Affair(1949)
Midcredits score: 18th percentile of all films (provisional, few ratings)
The Damned(1947)
Midcredits score: 77th percentile of all films
Personal Column (not in the MovieCove catalog yet)(1939)
Career shape
A full career of 16 titles from 1939 to 1967.
How do Michel Safra's films land?
Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 75th and up3
- 25th to 49th3
- Below 25th1
Shape of the crowd
2 of their 7 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
- Broadly Agreed2
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Michel Safra work with?
People who share at least 2 of Michel Safra's MovieCove titles, grouped by what they did on them; Louisette Hautecoeur shares the most, 3.
Writers
- Marc-Gilbert SauvajonShared titles: Scorching Sands (1963), A Royal Affair (1949)See all 2 shared titles with Marc-Gilbert Sauvajon

- Henri JeansonShared titles: Madame (1961), The Damned (1947)See all 2 shared titles with Henri Jeanson

Editors
- Louisette HautecoeurShared titles: Diary of a Chambermaid (1964), Scorching Sands (1963), Adorable Sinner (1959)See all 3 shared titles with Louisette Hautecoeur
- Roger DwyreShared titles: A Royal Affair (1949), The Damned (1947)See all 2 shared titles with Roger Dwyre
Producers
- Serge SilbermanShared titles: Diary of a Chambermaid (1964), Scorching Sands (1963), Madame (1961)See all 3 shared titles with Serge Silberman

- André PaulvéShared titles: A Royal Affair (1949), The Damned (1947)See all 2 shared titles with André Paulvé

