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Tadashi Sakai

Cinematographer · Born June 2, 1938 (88)

Born
June 2, 1938 (88)
Works as
Cinematographer
Titles
3 on MovieCove · 8 credits in all
TMDB popularity, last 39 days to Oct 28Up 8% in 30 days

What are Tadashi Sakai's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Themes

share of theme weight
Morality
67%
Power
16%
Bonds
8%
Self
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 3

Grounded 0 · Stylized 1 · Heightened 2

Gentle 0 · Charged 0 · Intense 3

Steady 0 · Shifting 2 · Whiplash 1

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 0 · Even-paced 2 · Relentless 1

Casual 0 · Engaged 2 · Full focus 1

Easy watch 0 · Affecting 1 · Heavy 2

A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
2
Thrilling
1
Dread
1
Hopeful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Tadashi Sakai's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).

Subscription and free streaming for Tadashi Sakai's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Hunter in the Dark(1979)

    Cinematographer

    Midcredits score: 77th percentile of all films
  • Bandits vs. Samurai Squadron (not in the MovieCove catalog yet)(1978)

    Cinematographer

  • Song of Vengeance (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • The Blazing Sword (not in the MovieCove catalog yet)(1966)

    Cinematographer

  • Cash Calls Hell(1966)

    Cinematographer

    Midcredits score: 91st percentile of all films
  • Imo samurai: Kani uemon (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • Three Outlaw Samurai(1964)

    Cinematographer

    Midcredits score: 96th percentile of all films
  • Warriors of Ako: Scroll of Heaven, Scroll of Earth (not in the MovieCove catalog yet)(1956)

    Production Assistant

Career shape

A full career of 8 titles from 1956 to 1979.

By role

only this rolewith another role
Cinematography7 of 8: 7 only cinematography, 0 with another roleOther crew1 of 8: 1 only other crew, 0 with another role

By decade

1950s1 · crew1960s5 · crew1970s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Tadashi Sakai's films land?

Their typical MovieCove film has a Midcredits score in the 91st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 90th percentile for acclaim.

Acclaim · how much people like their films

90thpercentile
Typical film, the median of 3

Approval · how many liked their films

89thpercentile
Typical film, the median of 3

Reach · how many have seen their films

42ndpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up3

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2

Reviewers score the cinematography 77/100 in their films, across 3 reviewed titles. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Tadashi Sakai work with?

People who share at least 2 of Tadashi Sakai's MovieCove titles, grouped by what they did on them; Hideo Gosha shares the most, 3.

Directors

Actors

Composers

Producers