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Paul Salamoff

Actor, writer, producer and director · Born August 4, 1971 (55) · Natick, Massachusetts, USA

Paul J. Salamoff has worked for over 30 years in film, TV, video games, and graphic novels as a writer, producer, director, executive, and make-up f/x artist. He is the author of On the Set: The Hidden Rules of Movie Making Etiquette, The Silent Planet, the graphic novels Hired Guns, Discord, and Logan's Run. His short stories and essays have appeared in anthologies, including Midian Unmade: Tales from Clive Barker's Nightbreed and The Cyberpunk Nexus: Exploring the Blade Runner Universe. Paul currently teaches screenwriting at New York Film Academy. He is a two-time Bram Stoker Award nominee who made his feature-film directorial debut in 2019 with Encounter, a science fiction drama based on his original screenplay, which won Best Independent Film at the 46th annual Saturn Awards.

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Biography from IMDb.

Born
August 4, 1971 (55)
From
Natick, Massachusetts, USA
Works as
Actor, writer, producer and director
Titles
11 on MovieCove · 16 credits in all

What are Paul Salamoff's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Survival and Society.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
69%
Society
16%
Ideas
16%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 3 · Stylized 2 · Heightened 0

Gentle 1 · Charged 4 · Intense 0

Steady 4 · Shifting 1 · Whiplash 0

Straight-faced 3 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 2 · Relentless 0

A split, not a type: Casual 3 · Engaged 2 · Full focus 0

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Dread
2
Contemplative
2
Absurd
2
Hopeful
1

How their films end

  • Happy1
  • Ambiguous3
  • Other1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Paul Salamoff's films?

As of October 24, 2026, 7 of their 11 MovieCove titles stream on a subscription or free service, most on Prime Video (5).

Subscription and free streaming for Paul Salamoff's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 11 with a MovieCove page.

  • bUMS(2024)

    Producer

    Midcredits score: 58th percentile of all films (provisional, few ratings)
  • Encounter(2018)

    Director · Co-Producer · Visual Effects Supervisor · Writer

    Midcredits score: 14th percentile of all films
  • Alien Siege (not in the MovieCove catalog yet)(2005)

    Writer

  • Tales from the Crapper(2004)

    as Office Chair Victim

    Midcredits score: 10th percentile of all films
  • Tales from the Grave (not in the MovieCove catalog yet)(2004)

    Story

  • Secondhand Lions(2003)

    Special Effects Makeup Artist

    Midcredits score: 92nd percentile of all films
  • The Darkling (not in the MovieCove catalog yet)(2000)

    as Puppeteer #2

  • Me, Myself & Irene(2000)

    Makeup Effects

    Midcredits score: 64th percentile of all films
  • The St. Francisville Experiment(2000)

    Producer · as Producer (as Paul I. Salamoff)

    Midcredits score: 7th percentile of all films
  • Midcredits score: 9th percentile of all films
  • Free Enterprise (not in the MovieCove catalog yet)(1998)

    as Additional Voices (voice)

  • Campfire Tales(1997)

    Special Effects Makeup Artist · as Crew Man #1 (segment "The Honeymoon")

    Midcredits score: 35th percentile of all films
  • Children of the Corn IV: The Gathering(1996)

    Special Effects Makeup Artist

    Midcredits score: 6th percentile of all films
  • Dollman vs. Demonic Toys(1993)

    as Jack Attack

    Midcredits score: 6th percentile of all films
  • Knights (not in the MovieCove catalog yet)(1993)

    Special Effects Makeup Artist

  • Rage and Honor(1992)

    Special Effects Makeup Artist

    Midcredits score: 27th percentile of all films

Career shape

Star power in the 58th percentile of 239,109 people with a billed film role, over a full career of 14 titles from 1992 to 2018; peak year 1993.

Film career

19922018

Peak 1993 · back in prominent film roles after a quiet stretch. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.

By role

only this rolewith another role
Acting6 of 14: 4 only acting, 2 with another roleDirecting1 of 14: 0 only directing, 1 with another roleWriting3 of 14: 2 only writing, 1 with another roleProducing2 of 14: 0 only producing, 2 with another roleOther crew7 of 14: 5 only other crew, 2 with another role · typical Midcredits score31st

14 titles, 3 with more than one role — other crew and acting overlap on 1 of them.

By decade

1990s6 · 3 acting · 4 crew2000s7 · 3 acting · 5 crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Paul Salamoff's films land?

Their typical MovieCove film has a Midcredits score in the 14th percentile, the median of all 11; across their 5 films with reception data, the typical film sits in the 11th percentile for acclaim.

Acclaim · how much people like their films

11thpercentile
Typical film, the median of 5

Approval · how many liked their films

11thpercentile
Typical film, the median of 5

Reach · how many have seen their films

63rdpercentile
Typical film, the median of 5

Midcredits score across 11 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th6

Shape of the crowd

6 of their 11 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Divisive1
  • Crowd Pleaser1
  • Broadly Agreed1
  • Mixed6

Reviewers score the acting 39/100 in their films, across 4 reviewed titles; fans 65, detractors 24. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Paul Salamoff work with?

People who share at least 2 of Paul Salamoff's MovieCove titles, grouped by what they did on them; Peter Holden shares the most, 2.

Actors

Producers