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Gilles Sandoz

Gilles Sandoz

Producer

Works as
Producer
Titles
10 on MovieCove · 36 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 27% in 30 days

What are Gilles Sandoz's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama4 titlesTypical Midcredits score: 48th percentile, at or above their average across these genres
: browse their Drama movies
Comedy3 titlesTypical Midcredits score: 43rd percentile
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
30%
Bonds
27%
Survival
18%
Power
10%
Morality
7%
Society
6%
Ideas
2%
Romantic love3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeComing of age2 titles, browse their movies with this theme

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 5 · Serious 3 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 7 · Stylized 2 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 6 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 4 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 6 · Some laughs 2 · Funny 2

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 4 · Even-paced 6 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 6 · Engaged 3 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 7 · Open-ended 0 · Ambiguous 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Romantic
4
Tense
3
Warm
3
Hopeful
4
Contemplative
2
Other
9

How their films linger

Hopeful5 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end

  • Happy3
  • Bittersweet3
  • Tragic1
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gilles Sandoz's films?

As of October 24, 2026, 6 of their 10 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Gilles Sandoz's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

36 credits, 10 with a MovieCove page.

  • TrepaNation (not in the MovieCove catalog yet)(2025)

    Producer

  • Angels in America (not in the MovieCove catalog yet)(2021)

    Executive Producer

  • Twelve Thousand (not in the MovieCove catalog yet)(2020)

    Producer

  • The Forest (not in the MovieCove catalog yet)(2014)

    Producer

  • Tey(2012)

    Producer

    Midcredits score: 64th percentile of all films

  • A Better Life (not in the MovieCove catalog yet)(2011)

    Producer

  • 18 Years Old and Rising(2011)

    Producer

    Midcredits score: 43rd percentile of all films

  • Beirut Hotel (not in the MovieCove catalog yet)(2011)

    Producer

  • Of Women and Horses(2011)

    Producer

    Midcredits score: 31st percentile of all films

  • The Screen Illusion (not in the MovieCove catalog yet)(2010)

    Producer

  • Back to Normandy (not in the MovieCove catalog yet)(2007)

    Producer

  • Lady Chatterley(2006)

    Producer

    Midcredits score: 68th percentile of all films

  • I Saw Ben Barka Get Killed (not in the MovieCove catalog yet)(2005)

    Producer

  • Regular Lovers (not in the MovieCove catalog yet)(2005)

    Producer

  • Ordo (not in the MovieCove catalog yet)(2004)

    Associate Producer

  • Eros thérapie(2004)

    Producer

    Midcredits score: 27th percentile of all films

  • Wild Side (not in the MovieCove catalog yet)(2004)

    Producer

  • France Boutique (not in the MovieCove catalog yet)(2003)

    Producer

  • Va, petite! (not in the MovieCove catalog yet)(2003)

    Producer

  • Mimi (not in the MovieCove catalog yet)(2003)

    Producer

  • Nearest to Heaven(2002)

    Producer

    Midcredits score: 25th percentile of all films

  • To Be and to Have(2002)

    Producer

    Midcredits score: 97th percentile of all films

  • La voleuse de Saint-Lubin (not in the MovieCove catalog yet)(2001)

    Producer

  • Roberto Succo(2001)

    Producer

    Midcredits score: 67th percentile of all films

  • Gilded Youth (not in the MovieCove catalog yet)(2001)

    Producer

  • On appelle ça… le printemps (not in the MovieCove catalog yet)(2001)

    Producer

  • The Town Is Quiet (not in the MovieCove catalog yet)(2000)

    Producer

  • The Sandmen (not in the MovieCove catalog yet)(2000)

    Producer

  • Charge! (not in the MovieCove catalog yet)(2000)

    Producer

  • Nadia and the Hippos (not in the MovieCove catalog yet)(2000)

    Producer

  • Cold Lands (not in the MovieCove catalog yet)(1999)

    Producer

  • Le petit voleur(1999)

    Producer

    Midcredits score: 75th percentile of all films

  • Venus Beauty Institute(1999)

    Producer

    Midcredits score: 53rd percentile of all films

  • Where the Heart Is (not in the MovieCove catalog yet)(1998)

    Producer

  • Marius and Jeannette (not in the MovieCove catalog yet)(1997)

    Producer

  • The Age of Potential (not in the MovieCove catalog yet)(1996)

    Producer

Career shape

A full career of 35 titles from 1996 to 2025.

Biggest box office

To Be and to Have (2002)

$16M worldwide

Highest rated

To Be and to Have (2002)

Midcredits 97th

Most popular right now

Lady Chatterley (2006)

By role

only this rolewith another role
Producing35 of 35: 35 only producing, 0 with another role · typical Midcredits score64th

By decade

1990s6 · crew2000s20 · crew2010s6 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Gilles Sandoz's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 10

Approval · how many liked their films

52ndpercentile
Typical film, the median of 10

Reach · how many have seen their films

42ndpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up2
  • 50th to 74th4
  • 25th to 49th4

Shape of the crowd

None of their 10 titles divides audiences: 4 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser4
  • Broadly Agreed1
  • Mixed4

Most loved · producer

To Be and to Have (2002)

Midcredits 97th · 87% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gilles Sandoz work with?

People who share at least 2 of Gilles Sandoz's MovieCove titles, grouped by what they did on them; Tonie Marshall shares the most, 2.

Directors

Actors

Editors