- Director, also producer
- 12 on MovieCove · 57 credits in all
What are Alfred Santell's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 11
Light 4 · Serious 6 · Dark 2
Grounded 5 · Stylized 7 · Heightened 0
Gentle 3 · Charged 7 · Intense 2
Steady 5 · Shifting 6 · Whiplash 1
A split, not a type: Straight-faced 7 · Some laughs 3 · Funny 2
A split, not a type: Slow burn 7 · Even-paced 4 · Relentless 1
Casual 10 · Engaged 1 · Full focus 1
Easy watch 5 · Affecting 5 · Heavy 2
Resolved 10 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet6
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alfred Santell's films?
As of October 24, 2026, 5 of their 12 MovieCove titles stream on a subscription or free service, most on MGM+ (4).
Subscription and free streaming for Alfred Santell's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
57 credits, 12 with a MovieCove page.

That Brennan Girl(1946)
Midcredits score: 51st percentile of all films
Mexicana(1945)
Midcredits score: 25th percentile of all films (provisional, few ratings)
The Hairy Ape(1944)
Midcredits score: 39th percentile of all films
Jack London(1943)
Midcredits score: 11th percentile of all films
Beyond the Blue Horizon(1942)
Midcredits score: 45th percentile of all films
Aloma of the South Seas(1941)
Midcredits score: 24th percentile of all films
Our Leading Citizen(1939)
Midcredits score: 42nd percentile of all films (provisional, few ratings)
The Arkansas Traveler (not in the MovieCove catalog yet)(1938)

Having Wonderful Time (not in the MovieCove catalog yet)(1938)

Cocoanut Grove (not in the MovieCove catalog yet)(1938)

Breakfast for Two(1937)
Midcredits score: 54th percentile of all films
Midcredits score: 74th percentile of all films
Winterset(1936)
Midcredits score: 44th percentile of all films
A Feather in Her Hat(1935)
Midcredits score: 53rd percentile of all films
People Will Talk (not in the MovieCove catalog yet)(1935)

The Life of Vergie Winters (not in the MovieCove catalog yet)(1934)

The Right To Romance (not in the MovieCove catalog yet)(1933)

Bondage (not in the MovieCove catalog yet)(1933)

Tess of the Storm Country (not in the MovieCove catalog yet)(1932)

Rebecca of Sunnybrook Farm (not in the MovieCove catalog yet)(1932)

Polly of the Circus(1932)
Midcredits score: 60th percentile of all films
Sob Sister (not in the MovieCove catalog yet)(1931)

Daddy Long Legs (not in the MovieCove catalog yet)(1931)

Body and Soul (not in the MovieCove catalog yet)(1931)

The Sea Wolf (not in the MovieCove catalog yet)(1930)

The Arizona Kid (not in the MovieCove catalog yet)(1930)

Romance of the Rio Grande (not in the MovieCove catalog yet)(1929)

Twin Beds (not in the MovieCove catalog yet)(1929)

This Is Heaven (not in the MovieCove catalog yet)(1929)

Show Girl (not in the MovieCove catalog yet)(1928)

Wheel of Chance (not in the MovieCove catalog yet)(1928)

The Little Shepherd of Kingdom Come (not in the MovieCove catalog yet)(1928)

The Gorilla (not in the MovieCove catalog yet)(1927)

The Patent Leather Kid (not in the MovieCove catalog yet)(1927)

Orchids and Ermine (not in the MovieCove catalog yet)(1927)

Just Another Blonde (not in the MovieCove catalog yet)(1926)

Subway Sadie (not in the MovieCove catalog yet)(1926)

Sweet Daddies (not in the MovieCove catalog yet)(1926)

The Dancer of Paris (not in the MovieCove catalog yet)(1926)

Bluebeard's Seven Wives (not in the MovieCove catalog yet)(1926)

Classified (not in the MovieCove catalog yet)(1925)

Parisian Nights (not in the MovieCove catalog yet)(1925)

The Marriage Whirl (not in the MovieCove catalog yet)(1925)

Breaking the Ice (not in the MovieCove catalog yet)(1925)

The Man Who Played Square (not in the MovieCove catalog yet)(1924)

Empty Hearts (not in the MovieCove catalog yet)(1924)

Fools in the Dark (not in the MovieCove catalog yet)(1924)

Lights Out (not in the MovieCove catalog yet)(1923)
High Flyers (not in the MovieCove catalog yet)(1922)
Hale and Hearty (not in the MovieCove catalog yet)(1922)
Vamping the Vamp (not in the MovieCove catalog yet)(1918)

A Bathtub Bandit (not in the MovieCove catalog yet)(1917)
Whirlwind of Whiskers (not in the MovieCove catalog yet)(1917)
The Deadly Doughnut (not in the MovieCove catalog yet)(1917)

The Gilded Youth (not in the MovieCove catalog yet)(1917)

Bluff (not in the MovieCove catalog yet)(1916)
Dirty Work in a Laundry (not in the MovieCove catalog yet)(1915)
Career shape
A full career of 57 titles from 1915 to 1946.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alfred Santell's films land?
Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 50th to 74th5
- 25th to 49th5
- Below 25th2
Shape of the crowd
5 of their 12 titles are Crowd Pleasers.
- Crowd Pleaser5
- Broadly Agreed2
- Mixed5
Reviewers score the atmosphere 57/100 and the pacing 45/100 in their films, across 10 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alfred Santell work with?
People who share at least 2 of Alfred Santell's MovieCove titles, grouped by what they did on them; Susan Hayward shares the most, 3.
Writers
- Frank ButlerShared titles: Beyond the Blue Horizon (1942), Aloma of the South Seas (1941)See all 2 shared titles with Frank Butler

Actors
- Susan HaywardShared titles: The Hairy Ape (1944), Jack London (1943), Our Leading Citizen (1939)See all 3 shared titles with Susan Hayward

- Dorothy LamourShared titles: Beyond the Blue Horizon (1942), Aloma of the South Seas (1941)See all 2 shared titles with Dorothy Lamour

- Elizabeth PattersonShared titles: Beyond the Blue Horizon (1942), Our Leading Citizen (1939)See all 2 shared titles with Elizabeth Patterson

- Paul GuilfoyleShared titles: Our Leading Citizen (1939), Winterset (1936)See all 2 shared titles with Paul Guilfoyle

Cinematographers and editors
- Arthur RobertsShared titles: That Brennan Girl (1946), Mexicana (1945)See all 2 shared titles with Arthur Roberts
- Jack A. MartaShared titles: That Brennan Girl (1946), Mexicana (1945)See all 2 shared titles with Jack A. Marta
- William H. ZieglerShared titles: The Hairy Ape (1944), Jack London (1943)See all 2 shared titles with William H. Ziegler
- Doane HarrisonShared titles: Beyond the Blue Horizon (1942), Internes Can't Take Money (1937)See all 2 shared titles with Doane Harrison
Producers
- Joseph H. NadelShared titles: The Hairy Ape (1944), Jack London (1943)See all 2 shared titles with Joseph H. Nadel

- Monta BellShared titles: Beyond the Blue Horizon (1942), Aloma of the South Seas (1941)See all 2 shared titles with Monta Bell





