Adam Santelli
- Cinematographer
- 17 on MovieCove · 22 credits in all
What are Adam Santelli's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 5 · Serious 0 · Dark 2
A split, not a type: Grounded 4 · Stylized 2 · Heightened 1
Gentle 3 · Charged 3 · Intense 1
A split, not a type: Steady 4 · Shifting 3 · Whiplash 0
Straight-faced 2 · Some laughs 5 · Funny 0
Slow burn 2 · Even-paced 5 · Relentless 0
Casual 5 · Engaged 2 · Full focus 0
Easy watch 6 · Affecting 0 · Heavy 1
Resolved 7 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy5
- Bittersweet1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Adam Santelli's films?
As of October 24, 2026, 15 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (6).
- discovery+
Subscription and free streaming for Adam Santelli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 17 with a MovieCove page.
A Merry Little Ex-Mas(2025)
Midcredits score: 18th percentile of all films
Rescuing Christmas(2023)
Midcredits score: 62nd percentile of all films
A Christmas Open House(2022)
Midcredits score: 17th percentile of all films
13: The Musical(2022)
Midcredits score: 17th percentile of all films
Upside-Down Magic(2020)
Midcredits score: 35th percentile of all films
Descendants 3(2019)
Midcredits score: 71st percentile of all films
Freaky Friday(2018)
Midcredits score: 8th percentile of all films
Midnight, Texas(2017)
Midcredits score: 68th percentile of all shows
The Archer(2016)
Midcredits score: 30th percentile of all films
R5 Live Sometime Last Night at the Greek Theatre (not in the MovieCove catalog yet)(2016)
Raw Nerve(1999)
Midcredits score: 8th percentile of all films
Darkness Falls (not in the MovieCove catalog yet)(1999)
Playback (not in the MovieCove catalog yet)(1996)
Cover Me (not in the MovieCove catalog yet)(1995)
Almost Dead (not in the MovieCove catalog yet)(1994)
Teresa's Tattoo(1994)
Midcredits score: 14th percentile of all films
Midcredits score: 43rd percentile of all films
Warlock: The Armageddon(1993)
Midcredits score: 24th percentile of all films
Hard Target(1993)
Midcredits score: 54th percentile of all films
Best of the Best II(1993)
Midcredits score: 36th percentile of all films
Critters 3(1991)
Midcredits score: 8th percentile of all films
Servants of Twilight(1991)
Midcredits score: 20th percentile of all films
Career shape
A full career of 22 titles from 1991 to 2025.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Adam Santelli's films land?
Their typical MovieCove film has a Midcredits score in the 22nd percentile, the median of all 16; across their 7 films with reception data, the typical film sits in the 39th percentile for acclaim.
- 50th to 74th4
- 25th to 49th4
- Below 25th9
Shape of the crowd
13 of their 17 titles are Mixed.
- Cult Classic1
- Crowd Pleaser3
- Mixed13
Reviewers score the cinematography 59/100 in their films, across 6 reviewed titles; fans 66, detractors 46. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Adam Santelli's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Adam Santelli work with?
People who share at least 2 of Adam Santelli's MovieCove titles, grouped by what they did on them; Fernando Szew shares the most, 3.
Directors
- Emily Moss WilsonShared titles: Rescuing Christmas (2023), A Christmas Open House (2022)See all 2 shared titles with Emily Moss Wilson
Producers
- Fernando SzewShared titles: Rescuing Christmas (2023), A Christmas Open House (2022), The Archer (2016)See all 3 shared titles with Fernando Szew
- Hannah PillemerShared titles: Rescuing Christmas (2023), A Christmas Open House (2022), The Archer (2016)See all 3 shared titles with Hannah Pillemer
- Susan CartsonisShared titles: Upside-Down Magic (2020), Descendants 3 (2019)See all 2 shared titles with Susan Cartsonis
