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Frank Sanucci

Composer

Works as
Composer
Titles
19 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 26% in 30 days

What are Frank Sanucci's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
68%
Bonds
16%
Society
8%
Power
4%
Self
4%
Justice13 titles, browse their movies with this themeRedemption4 titles, browse their movies with this themeLoyalty3 titles, browse their movies with this themeCommunity4 titles, browse their movies with this themeIdentity2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 11 · Serious 1 · Dark 1

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 12 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 7 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 8 · Shifting 5 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 7 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 11 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 13 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 13 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Thrilling
8
Tense
7
Hopeful
6
Warm
3
Joyful
2
Other
3

How their films linger

Feel-good10 titles, browse their movies with this aftertasteFun8 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertaste

How their films end

  • Happy10
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Frank Sanucci's films?

As of October 24, 2026, 18 of their 19 MovieCove titles stream on a subscription or free service, most on Tubi (14).

Also on these channels

Subscription and free streaming for Frank Sanucci's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 19 with a MovieCove page.

  • Buffalo Bill in Tomahawk Territory(1952)

    Composer

    Midcredits score: 3rd percentile of all films

  • Sunset Carson Rides Again(1948)

    Music Director

    Midcredits score: 26th percentile of all films

  • Deadline (not in the MovieCove catalog yet)(1948)

    Composer

  • Fighting Mustang(1948)

    Composer

    Midcredits score: 78th percentile of all films (provisional, few ratings)

  • Moon Over Montana (not in the MovieCove catalog yet)(1946)

    Composer

  • His Brother's Ghost(1945)

    Composer

    Midcredits score: 25th percentile of all films

  • Northwest Trail(1945)

    Composer

    Midcredits score: 23rd percentile of all films

  • Song of the Range (not in the MovieCove catalog yet)(1944)

    Music Director

  • Phantom Killer(1942)

    Music Director

    Midcredits score: 12th percentile of all films

  • Arizona Stage Coach (not in the MovieCove catalog yet)(1942)

    Music Director

  • The Living Ghost(1942)

    Music Director

    Midcredits score: 17th percentile of all films

  • Arizona Roundup(1942)

    Music Director

    Midcredits score: 15th percentile of all films (provisional, few ratings)

  • Fugitive Valley(1941)

    Composer

    Midcredits score: 26th percentile of all films

  • Silver Stallion(1941)

    Composer

    Midcredits score: 23rd percentile of all films (provisional, few ratings)

  • The Cowboy from Sundown(1940)

    Composer

    Midcredits score: 29th percentile of all films (provisional, few ratings)

  • The Golden Trail (not in the MovieCove catalog yet)(1940)

    Composer

  • Rhythm of the Rio Grande (not in the MovieCove catalog yet)(1940)

    Composer

  • Drifting Westward (not in the MovieCove catalog yet)(1939)

    Music Director

  • Feud of the Range(1939)

    Composer

    Midcredits score: 38th percentile of all films (provisional, few ratings)

  • Down the Wyoming Trail(1939)

    Composer

    Midcredits score: 13th percentile of all films (provisional, few ratings)

  • Ghost Town Riders (not in the MovieCove catalog yet)(1938)

    Composer

  • Guilty Trails(1938)

    Composer · Music Director

    Midcredits score: 23rd percentile of all films (provisional, few ratings)

  • Outlaw Express(1938)

    Music Director

    Midcredits score: 5th percentile of all films (provisional, few ratings)

  • Prison Break(1938)

    Composer

    Midcredits score: 62nd percentile of all films

  • Where Trails Divide(1937)

    Music Director

    Midcredits score: 48th percentile of all films (provisional, few ratings)

  • Riders of the Rockies(1937)

    Composer

    Midcredits score: 6th percentile of all films (provisional, few ratings)

  • The Mystery of the Hooded Horsemen(1937)

    Composer

    Midcredits score: 10th percentile of all films

Career shape

A full career of 18 titles from 1937 to 1952.

Highest rated

Prison Break (1938)

Midcredits 62nd

Most popular right now

Guilty Trails (1938)

By role

only this rolewith another role
Music8 of 18: 8 only music, 0 with another roleOther crew10 of 18: 10 only other crew, 0 with another role · typical Midcredits score17th

By decade

1930s6 · crew1940s11 · crew1950s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Frank Sanucci's films land?

Their typical MovieCove film has a Midcredits score in the 23rd percentile, the median of all 19; across their 13 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 13

Approval · how many liked their films

11thpercentile
Typical film, the median of 13

Reach · how many have seen their films

7thpercentile
Typical film, the median of 13

Midcredits score across 19 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th6
  • Below 25th11

Shape of the crowd

13 of their 19 titles are Mixed.

  • Universally Panned1
  • Cult Classic2
  • Crowd Pleaser1
  • Broadly Agreed2
  • Mixed13

Most divisive · composer

Fighting Mustang (1948)

86th percentile spread · 23% rated it 4 or lower

Most loved · composer

Prison Break (1938)

Midcredits 62nd · 46% liked

Reviewers score the sound and music 48/100 in their films, across 6 reviewed titles; fans 58, detractors 38. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Frank Sanucci work with?

People who share at least 2 of Frank Sanucci's MovieCove titles, grouped by what they did on them; Edward Finney shares the most, 6.

Writers

Actors

Cinematographers and editors

Producers

Mixed roles