Hendrik Sartov
- Cinematographer
- 5 on MovieCove · 13 credits in all
What are Hendrik Sartov's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 2 · Serious 0 · Dark 3
A split, not a type: Grounded 3 · Stylized 2 · Heightened 0
A split, not a type: Gentle 1 · Charged 1 · Intense 3
A split, not a type: Steady 1 · Shifting 1 · Whiplash 3
Straight-faced 3 · Some laughs 2 · Funny 0
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 1 · Engaged 3 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 3
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Hendrik Sartov's films?
As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service, most on MGM+ (4).
Subscription and free streaming for Hendrik Sartov's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
13 credits, 5 with a MovieCove page.
Under the Black Eagle (not in the MovieCove catalog yet)(1928)
Quality Street (not in the MovieCove catalog yet)(1927)
The Red Mill(1927)
Midcredits score: 80th percentile of all films
The Scarlet Letter (not in the MovieCove catalog yet)(1927)
La Bohème (not in the MovieCove catalog yet)(1926)
Isn't Life Wonderful (not in the MovieCove catalog yet)(1924)
America (not in the MovieCove catalog yet)(1924)
The White Rose (not in the MovieCove catalog yet)(1923)
One Exciting Night(1922)
Midcredits score: 20th percentile of all films
Orphans of the Storm(1921)
Midcredits score: 86th percentile of all films
Dream Street (not in the MovieCove catalog yet)(1921)
Way Down East(1920)
Midcredits score: 87th percentile of all films
Hearts of the World(1918)
Midcredits score: 63rd percentile of all films
Career shape
A full career of 13 titles from 1918 to 1928.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Hendrik Sartov's films land?
Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up3
- 50th to 74th1
- Below 25th1
Shape of the crowd
2 of their 5 titles are Universally Loved.
- Universally Loved2
- Crowd Pleaser1
- Mixed2
Reviewers score the cinematography 76/100 in their films, across 5 reviewed titles; fans 80, detractors 64. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Hendrik Sartov work with?
People who share at least 2 of Hendrik Sartov's MovieCove titles, grouped by what they did on them; D.W. Griffith shares the most, 4.
Directors
- D.W. GriffithShared titles: One Exciting Night (1922), Orphans of the Storm (1921), Way Down East (1920), Hearts of the World (1918)See all 4 shared titles with D.W. Griffith
Actors
- Lillian GishShared titles: Orphans of the Storm (1921), Way Down East (1920), Hearts of the World (1918)See all 3 shared titles with Lillian Gish
- Morgan WallaceShared titles: One Exciting Night (1922), Orphans of the Storm (1921)See all 2 shared titles with Morgan Wallace
- Dorothy GishShared titles: Orphans of the Storm (1921), Hearts of the World (1918)See all 2 shared titles with Dorothy Gish
- Kate BruceShared titles: Way Down East (1920), Hearts of the World (1918)See all 2 shared titles with Kate Bruce
Cinematographers and editors
- James SmithShared titles: Orphans of the Storm (1921), Way Down East (1920), Hearts of the World (1918)See all 3 shared titles with James Smith
- Rose SmithShared titles: Orphans of the Storm (1921), Way Down East (1920), Hearts of the World (1918)See all 3 shared titles with Rose Smith
- G.W. BitzerShared titles: Orphans of the Storm (1921), Hearts of the World (1918)See all 2 shared titles with G.W. Bitzer
- Paul H. AllenShared titles: Orphans of the Storm (1921), Way Down East (1920)See all 2 shared titles with Paul H. Allen