Keiichi Sato (さとう けいいち Satō Keiichi) is a mecha and character designer born in the Kagawa Prefecture of Japan in 1965. In 1996, Sato met with Kazuyoshi Katayama to begin work on The Big O. Until then, Sato's work consisted mainly of designing characters and supervising animation for anime series. The Big O is the first based on a concept of his creation and he considers it his magnum opus. Sato's style is influenced by his "love of all things nostalgic. From Wikipedia, the free encyclopedia
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Biography from TMDB.
- December 18, 1965 (60)
- Kagawa, Japan
- Director, also producer
- 16 on MovieCove · 41 credits in all
What are Keiichi Satô's films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 3
Light 0 · Serious 3 · Dark 1
Grounded 0 · Stylized 1 · Heightened 3
Gentle 0 · Charged 1 · Intense 3
Steady 0 · Shifting 3 · Whiplash 1
Straight-faced 2 · Some laughs 2 · Funny 0
Slow burn 0 · Even-paced 2 · Relentless 2
Casual 0 · Engaged 4 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet6
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Keiichi Satô's films?
As of October 24, 2026, 9 of their 16 MovieCove titles stream on a subscription or free service, most on Crunchyroll (6).
- Crunchyroll
- Mobile Suit Gundam: Char's Counterattack (1988) · key animation
- Inuyashiki (2017) · director
- City Hunter: Goodbye My Sweetheart (1997) · character designer
- City Hunter: Death of the Vicious Criminal Ryo Saeba (1999) · character designer
- Fatal Fury: The Motion Picture (1994) · key animation
- Gekidol (2021) · producer
Subscription and free streaming for Keiichi Satô's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
41 credits, 16 with a MovieCove page.

Go! Go! Loser Ranger!(2024)
Midcredits score: 44th percentile of all shows
Gekidol(2021)
Midcredits score: 2nd percentile of all shows (provisional, few ratings)
Inuyashiki(2017)
Midcredits score: 81st percentile of all shows
Infini-T Force (not in the MovieCove catalog yet)(2017)

Gantz: O(2016)
Midcredits score: 85th percentile of all films
Shingeki no Bahamut: Genesis Recap (not in the MovieCove catalog yet)(2014)

Rage of Bahamut: Genesis(2014)
Midcredits score: 68th percentile of all shows
Midcredits score: 36th percentile of all films
Black Butler(2014)
Midcredits score: 57th percentile of all films
Asura(2012)
Midcredits score: 70th percentile of all films
Hikonin Sentai Akibaranger (not in the MovieCove catalog yet)(2012)

Tiger & Bunny(2011)
Midcredits score: 67th percentile of all shows
Karas: The Revelation (not in the MovieCove catalog yet)(2007)

Ultraman Max (not in the MovieCove catalog yet)(2005)

Karas: The Prophecy (not in the MovieCove catalog yet)(2005)

Karas (not in the MovieCove catalog yet)(2005)

Ninpuu Sentai Hurricaneger Shushuuto: The Movie (not in the MovieCove catalog yet)(2002)

Ninpuu Sentai Hurricaneger (not in the MovieCove catalog yet)(2002)

Mazinkaiser (not in the MovieCove catalog yet)(2001)

The Big O (not in the MovieCove catalog yet)(1999)
Midcredits score: 70th percentile of all films
Sentimental Journey (not in the MovieCove catalog yet)(1998)

Ninja Resurrection (not in the MovieCove catalog yet)(1998)
Midcredits score: 80th percentile of all films
Super Atragon (not in the MovieCove catalog yet)(1995)

Gin Rei's Blue Eyes (not in the MovieCove catalog yet)(1995)
Midcredits score: 64th percentile of all films
Midcredits score: 78th percentile of all films
Ellcia (not in the MovieCove catalog yet)(1992)

Giant Robo: The Day the Earth Stood Still (not in the MovieCove catalog yet)(1992)

Free Kick Toward Tomorrow (not in the MovieCove catalog yet)(1992)

3x3 Eyes (not in the MovieCove catalog yet)(1991)

Getter Robo Go (not in the MovieCove catalog yet)(1991)

Ariel Deluxe (not in the MovieCove catalog yet)(1991)

1+2=Paradise (not in the MovieCove catalog yet)(1990)

Angel Cop(1989)
Midcredits score: 29th percentile of all shows
Midcredits score: 57th percentile of all shows
Midcredits score: 90th percentile of all films
Mobile Suit Gundam ZZ (not in the MovieCove catalog yet)(1986)

1985 Bebow (not in the MovieCove catalog yet)(1986)

Blue Comet SPT Layzner (not in the MovieCove catalog yet)(1985)
Career shape
A full career of 40 titles from 1985 to 2024.

Biggest box office
Saint Seiya: Legend of Sanctuary (2014)

Highest rated
Gantz: O (2016)

Most popular right now
Go! Go! Loser Ranger! (2024)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Keiichi Satô's films land?
Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 9; across a limited sample of 4 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up5
- 50th to 74th7
- 25th to 49th3
- Below 25th1
Shape of the crowd
8 of their 16 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser8
- Mixed7
Reviewers score the atmosphere 66/100 and the pacing 46/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Keiichi Satô work with?
People who share at least 2 of Keiichi Satô's MovieCove titles, grouped by what they did on them; Yoshihiro Ike shares the most, 5.
Writers
- Keiichirô ÔchiShared titles: Go! Go! Loser Ranger! (2024), Gekidol (2021)See all 2 shared titles with Keiichirô Ôchi
- Hiroya OkuShared titles: Inuyashiki (2017), Gantz: O (2016)See all 2 shared titles with Hiroya Oku
Actors
- Mao IchimichiShared titles: Gekidol (2021), Gantz: O (2016)See all 2 shared titles with Mao Ichimichi

- Hiroaki HirataShared titles: Saint Seiya: Legend of Sanctuary (2014), Asura (2012)See all 2 shared titles with Hiroaki Hirata

Composers and editors
- Yoshihiro IkeShared titles: Go! Go! Loser Ranger! (2024), Inuyashiki (2017), Gantz: O (2016), Rage of Bahamut: Genesis (2014), Asura (2012)See all 5 shared titles with Yoshihiro Ike

- Kiyoshi HiroseShared titles: Gekidol (2021), Inuyashiki (2017), Rage of Bahamut: Genesis (2014)See all 3 shared titles with Kiyoshi Hirose
