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Naoki Satô

Producer · Born March 21, 1963 (63)

Born
March 21, 1963 (63)
Works as
Producer
Titles
10 on MovieCove · 16 credits in all
TMDB popularity, last 39 days to Oct 28Down 10% in 30 days

What are Naoki Satô's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 0 · Dark 6

Grounded 0 · Stylized 6 · Heightened 1

Gentle 0 · Charged 1 · Intense 6

Steady 0 · Shifting 7 · Whiplash 0

Straight-faced 6 · Some laughs 0 · Funny 1

Slow burn 2 · Even-paced 5 · Relentless 0

Casual 1 · Engaged 4 · Full focus 2

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Dread
5
Thrilling
3
Joyful
1
Absurd
1
Other
2

How their films end · 2 with a twist

  • Happy1
  • Bittersweet3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Naoki Satô's films?

As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Naoki Satô's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

16 credits, 10 with a MovieCove page.

  • Midcredits score: 65th percentile of all films (provisional, few ratings)
  • Red(2020)

    Executive Producer

    Midcredits score: 42nd percentile of all films
  • Yurigokoro(2017)

    Executive Producer

    Midcredits score: 63rd percentile of all films
  • Ghost Theater (not in the MovieCove catalog yet)(2015)

    Executive Producer

  • I'll Give It My All ... Tomorrow (not in the MovieCove catalog yet)(2013)

    Executive Producer

  • Rebirth (not in the MovieCove catalog yet)(2011)

    Executive Producer · Producer

  • Lalapipo (not in the MovieCove catalog yet)(2009)

    Producer

  • Yatterman(2009)

    Producer

    Midcredits score: 44th percentile of all films
  • One Missed Call 2(2005)

    Producer

    Midcredits score: 24th percentile of all films
  • Install (not in the MovieCove catalog yet)(2004)

    Producer

  • Three... Extremes(2004)

    Producer

    Midcredits score: 79th percentile of all films
  • One Missed Call(2003)

    Producer

    Midcredits score: 51st percentile of all films
  • Love From a Lie (not in the MovieCove catalog yet)(2001)

    Show 11 episodes · Producer

  • Midcredits score: 85th percentile of all films
  • Midcredits score: 83rd percentile of all films
  • Patlabor 2: The Movie(1993)

    Producer

    Midcredits score: 94th percentile of all films

Career shape

A full career of 14 titles from 1996 to 2024.

By role

only this rolewith another role
Producing13 of 14: 13 only producing, 0 with another role · typical Midcredits score51stOther crew1 of 14: 1 only other crew, 0 with another role

By decade

1990s2 · crew2000s6 · crew2010s4 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Naoki Satô's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 10; across their 7 films with reception data, the typical film sits in the 79th percentile for acclaim.

Acclaim · how much people like their films

79thpercentile
Typical film, the median of 7

Approval · how many liked their films

77thpercentile
Typical film, the median of 7

Reach · how many have seen their films

86thpercentile
Typical film, the median of 7

Midcredits score across 10 titles, by percentile

  • 75th and up4
  • 50th to 74th3
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

3 of their 10 titles are Crowd Pleasers.

  • Universally Loved1
  • Divisive1
  • Crowd Pleaser3
  • Broadly Agreed2
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Naoki Satô's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 38 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Naoki Satô work with?

People who share at least 2 of Naoki Satô's MovieCove titles, grouped by what they did on them; Takashi Miike shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers