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Carole Lucia Satrina

Writer, also editor

Works as
Writer, also editor
Titles
3 on MovieCove · 4 credits in all
TMDB popularity, last 39 days to Oct 28Down 13% in 30 days

What are Carole Lucia Satrina's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
36%
Self
29%
Morality
27%
Power
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 1 · Dark 0

Grounded 0 · Stylized 3 · Heightened 0

Gentle 2 · Charged 1 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 1 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Warm
3
Romantic
1
Joyful
1
Tense
1
Hopeful
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Carole Lucia Satrina's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Carole Lucia Satrina's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 3 with a MovieCove page.

  • Puss in Boots(1988)

    Editor · Screenplay

    Midcredits score: 53rd percentile of all films
  • Red Riding Hood(1987)

    Screenplay

    Midcredits score: 33rd percentile of all films
  • Beauty and the Beast(1987)

    Screenplay

    Midcredits score: 48th percentile of all films
  • Tales from the Darkside (not in the MovieCove catalog yet)(1984)

    Show 2 episodes · Story · Writer

Career shape

A full career of 4 titles from 1984 to 1988.

By role

only this rolewith another role
Writing4 of 4: 4 only writing, 0 with another role

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Carole Lucia Satrina's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 3

Approval · how many liked their films

51stpercentile
Typical film, the median of 3

Reach · how many have seen their films

47thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 50th to 74th1
  • 25th to 49th2

Reviewers score the dialogue 47/100 and the plot and story 52/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Carole Lucia Satrina work with?

People who share at least 2 of Carole Lucia Satrina's MovieCove titles, grouped by what they did on them; Itzik Kol shares the most, 3.

Directors

Actors

Cinematographers

Producers