Nathalie Saugeon
- Writer
- 6 on MovieCove · 15 credits in all
What are Nathalie Saugeon's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 3 · Serious 1 · Dark 2
Grounded 4 · Stylized 2 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 3
Steady 2 · Shifting 3 · Whiplash 1
Straight-faced 4 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 3 · Full focus 1
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 3
Resolved 3 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Nathalie Saugeon's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Nathalie Saugeon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 6 with a MovieCove page.
Fario (not in the MovieCove catalog yet)(2024)
Sisterhood(2023)
Midcredits score: 54th percentile of all films
Vulnérables (not in the MovieCove catalog yet)(2021)
Roberto the Canary (not in the MovieCove catalog yet)(2019)
Nos bébés ont une histoire (not in the MovieCove catalog yet)(2016)
My Revolution(2016)
Midcredits score: 18th percentile of all films
Back in Crime(2013)
Midcredits score: 63rd percentile of all films
The Other Son(2012)
Midcredits score: 83rd percentile of all films
Mascarades (not in the MovieCove catalog yet)(2008)
Whatever Lola Wants(2007)
Midcredits score: 62nd percentile of all films
Midcredits score: 89th percentile of all filmsDéchaînées (not in the MovieCove catalog yet)
Fils de (not in the MovieCove catalog yet)
La Neuvième Rotation (not in the MovieCove catalog yet)
Ma vie avec Violeta (not in the MovieCove catalog yet)
Career shape
A full career of 14 titles, 10 of them dated from 2001 to 2024.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Nathalie Saugeon's films land?
Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up2
- 50th to 74th3
- Below 25th1
Shape of the crowd
3 of their 6 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Mixed2
Reviewers score the dialogue 56/100 and the plot and story 59/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Nathalie Saugeon work with?
People who share at least 2 of Nathalie Saugeon's MovieCove titles, grouped by what they did on them; Vincent Mathias shares the most, 3.
Directors
- Nabil AyouchShared titles: Whatever Lola Wants (2007), Ali Zaoua: Prince of the Streets (2000)See all 2 shared titles with Nabil Ayouch
Composers and cinematographers
- Vincent MathiasShared titles: Back in Crime (2013), Whatever Lola Wants (2007), Ali Zaoua: Prince of the Streets (2000)See all 3 shared titles with Vincent Mathias
- Krishna LevyShared titles: Whatever Lola Wants (2007), Ali Zaoua: Prince of the Streets (2000)See all 2 shared titles with Krishna Levy
