Skip to content
MovieCove
Luis María Serra

Luis María Serra

Composer · Buenos Aires City, Buenos Aires, Argentina

From
Buenos Aires City, Buenos Aires, Argentina
Works as
Composer
Titles
3 on MovieCove · 49 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 18% in 30 days

What are Luis María Serra's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Power and Self.

Themes

share of theme weight
Power
47%
Self
17%
Survival
17%
Morality
10%
Bonds
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 1 · Serious 0 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 0 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 1 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 1 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 1 · Full focus 1

Easy watch: How much it costs you emotionally; whether you need recovery time. Browse their easy watch movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 1 · Affecting 2 · Heavy 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 1 · Open-ended 0 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Melancholic
2
Absurd
1
Romantic
1
Dread
1
Other
2

How their films linger

Bittersweet2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Luis María Serra's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Luis María Serra's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

49 credits, 3 with a MovieCove page.

  • Ábalos, A Five Brothers Tale (not in the MovieCove catalog yet)(2017)

    Actor

  • Los elegidos (not in the MovieCove catalog yet)(2014)

    Composer

  • Las voces(2012)

    Composer

    Midcredits score: 21st percentile of all films (provisional, few ratings)

  • La mirada de Clara (not in the MovieCove catalog yet)(2007)

    Composer

  • Paco Urondo, la palabra justa (not in the MovieCove catalog yet)(2005)

    Composer

  • El inquietante caso de José Blum (not in the MovieCove catalog yet)(1999)

    Composer

  • Tangos Are for Two (not in the MovieCove catalog yet)(1998)

    Composer

  • Rule Britannia (not in the MovieCove catalog yet)(1996)

    Composer

  • The Eyes of the Scissors (not in the MovieCove catalog yet)(1995)

    Composer

  • El amante de las películas mudas (not in the MovieCove catalog yet)(1994)

    Composer

  • Cuatro caras para Victoria (not in the MovieCove catalog yet)(1992)

    Composer

  • Delito de corrupción (not in the MovieCove catalog yet)(1991)

    Composer

  • I, the Worst of All (not in the MovieCove catalog yet)(1990)

    Composer

  • Fútbol argentino (not in the MovieCove catalog yet)(1990)

    Composer

  • Después de ayer (not in the MovieCove catalog yet)(1989)

    Composer

  • Nunca estuve en Viena (not in the MovieCove catalog yet)(1989)

    Music Director

  • Los insomnes (not in the MovieCove catalog yet)(1986)

    Composer

  • Miss Mary(1986)

    Composer

    Midcredits score: 58th percentile of all films

  • Seguridad personal (not in the MovieCove catalog yet)(1986)

    Composer

  • The Lost Republic II (not in the MovieCove catalog yet)(1986)

    Composer

  • The Day You Love Me (not in the MovieCove catalog yet)(1986)

    Composer

  • Sin querer, queriendo (not in the MovieCove catalog yet)(1985)

    Composer

  • Bairoletto, la aventura de un rebelde (not in the MovieCove catalog yet)(1985)

    Composer

  • Los días de junio (not in the MovieCove catalog yet)(1985)

    Composer

  • Contar hasta diez (not in the MovieCove catalog yet)(1985)

    Composer

  • The Angry Toy (not in the MovieCove catalog yet)(1984)

    Composer

  • The Warrior and the Sorceress(1984)

    Composer

    Midcredits score: 5th percentile of all films

  • Condemned to Hell (not in the MovieCove catalog yet)(1984)

    Composer

  • Camila (not in the MovieCove catalog yet)(1984)

    Composer

  • Se acabó el curro (not in the MovieCove catalog yet)(1983)

    Composer

  • The Lost Republic (not in the MovieCove catalog yet)(1983)

    Composer

  • Los enemigos (not in the MovieCove catalog yet)(1983)

    Composer

  • El poder de la censura (not in the MovieCove catalog yet)(1983)

    Composer

  • Nobody's Wife (not in the MovieCove catalog yet)(1982)

    Composer

  • De la misteriosa Buenos Aires (not in the MovieCove catalog yet)(1981)

    Composer

  • Más allá de la aventura (not in the MovieCove catalog yet)(1980)

    Composer

  • Comandos azules en acción (not in the MovieCove catalog yet)(1980)

    Composer

  • Fears (not in the MovieCove catalog yet)(1980)

    Composer

  • Comandos azules (not in the MovieCove catalog yet)(1980)

    Sound

  • Mis días con Verónica (not in the MovieCove catalog yet)(1980)

    Composer

  • Youth Without Barriers (not in the MovieCove catalog yet)(1979)

    Composer

  • El fantástico mundo de la María Montiel (not in the MovieCove catalog yet)(1978)

    Composer

  • Comedia rota (not in the MovieCove catalog yet)(1978)

    Music Arranger

  • Borges para millones (not in the MovieCove catalog yet)(1978)

    Composer

  • A Woman... (not in the MovieCove catalog yet)(1975)

    Composer

  • Los irrompibles (not in the MovieCove catalog yet)(1975)

    Composer

  • La Mary (not in the MovieCove catalog yet)(1974)

    Composer

  • The great adventure (not in the MovieCove catalog yet)(1974)

    Composer

  • Juan Moreira (not in the MovieCove catalog yet)(1973)

    Composer

Career shape

A full career of 49 titles from 1973 to 2017.

Biggest box office

The Warrior and the Sorceress (1984)

$2.9M worldwide

Highest rated

The Warrior and the Sorceress (1984)

Midcredits 5th

Most popular right now

Las voces (2012)

By role

only this rolewith another role
Acting1 of 49: 1 only acting, 0 with another roleMusic45 of 49: 45 only music, 0 with another roleOther crew3 of 49: 3 only other crew, 0 with another role

By decade

1970s9 · crew1980s26 · crew1990s9 · crew2000s2 · crew2010s3 · 1 acting · 2 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Luis María Serra's films land?

Their typical MovieCove film has a Midcredits score in the 21st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 35th percentile for acclaim.

Acclaim · how much people like their films

35thpercentile
Typical film, the median of 3

Approval · how many liked their films

10thpercentile
Typical film, the median of 3

Reach · how many have seen their films

30thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 50th to 74th1
  • Below 25th2

Shape of the crowd

1 of their 3 titles is Universally Panned.

  • Universally Panned1
  • Crowd Pleaser1
  • Mixed1

Most divisive · composer

Las voces (2012)

88th percentile spread · 58% rated it 4 or lower

Most loved · composer

Miss Mary (1986)

Midcredits 58th · 51% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Luis María Serra work with?

People who share at least 2 of Luis María Serra's MovieCove titles; Marcos Woinsky shares the most, 2.