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Dan Scanlon

Dan Scanlon

Director, producer, writer and actor · Born June 21, 1976 (50) · Clawson, Michigan, USA

Oscar nominee · BAFTA Award nominee

Dan Scanlon (born June 21, 1976) is an American animator, storyboard artist and director, working for Pixar, for whom he has directed Monsters University and Onward. Scanlon was an animator for Pocahontas II: Journey to a New World, The Indescribable Nth and Joseph: King of Dreams. He served as a storyboard artist for The Little Mermaid II: Return to the Sea and 101 Dalmatians II: Patch's London Adventure. Scanlon joined Pixar in 2001, where he was a story artist for Cars and Toy Story 3. He co-directed the short film Mater and the Ghostlight. He illustrated part one of Unmentionables, a comic book written by his wife, Michele Scanlon, and wrote and directed the live-action feature film Tracy. Tracy was Scanlon's first feature film as a writer/director. He also served as a member of the senior creative team on Brave and Inside Out. Scanlon and his wife Michele live in San Francisco and work together on projects under the production company name Caveat Productions.

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Biography from TMDB.

Born
June 21, 1976 (50)
From
Clawson, Michigan, USA
Works as
Director, producer, writer and actor
Titles
11 on MovieCove · 12 credits in all
TMDB popularity, last 156 days to Oct 27Down 47% in 30 days

What are Dan Scanlon's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 1 · Dark 0

A split, not a type: Grounded 0 · Stylized 4 · Heightened 3

Gentle 5 · Charged 2 · Intense 0

A split, not a type: Steady 4 · Shifting 2 · Whiplash 1

Straight-faced 0 · Some laughs 4 · Funny 3

Slow burn 2 · Even-paced 5 · Relentless 0

Casual 7 · Engaged 0 · Full focus 0

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
9
Warm
5
Hopeful
3
Contemplative
3
Bittersweet
3
Other
4

How their films end · 1 with a twist

  • Happy6
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dan Scanlon's films?

As of October 24, 2026, all 11 MovieCove titles stream on a subscription or free service, most on Disney+ (11).

Subscription and free streaming for Dan Scanlon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 11 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Zootopia 2(2025)

    Thanks

    Midcredits score: 93rd percentile of all films
  • Inside Out 2(2024)

    Executive Producer

    Midcredits score: 94th percentile of all films
  • Dream Productions(2024)

    Show Producer

    Midcredits score: 79th percentile of all shows
  • Turning Red(2022)

    Executive Producer

    Midcredits score: 79th percentile of all films
  • Cars on the Road(2022)

    Show Producer

    Midcredits score: 48th percentile of all shows
  • Soul(2020)

    Executive Producer

    Midcredits score: 99th percentile of all films
  • Onward(2020)

    Director · Screenplay

    Midcredits score: 89th percentile of all films
  • Party Central(2013)

    Executive Producer

    Midcredits score: 80th percentile of all films
  • Monsters University(2013)

    Director · Screenplay · Story · as Additional Voices (voice)

    Midcredits score: 88th percentile of all films
  • Tracy (not in the MovieCove catalog yet)(2009)

    Director

  • Mater and the Ghostlight(2006)

    Co-Director · Original Story

    Midcredits score: 60th percentile of all films
  • Cars(2006)

    Storyboard Artist · as Additional Voices (voice)

    Midcredits score: 92nd percentile of all films

Career shape

A full career of 10 titles from 2006 to 2025.

By role

only this rolewith another role
Acting2 of 10: 0 only acting, 2 with another roleDirecting4 of 10: 1 only directing, 3 with another roleWriting3 of 10: 0 only writing, 3 with another roleProducing4 of 10: 4 only producing, 0 with another roleOther crew2 of 10: 1 only other crew, 1 with another role

10 titles, 4 with more than one role.

By decade

2000s3 · 1 acting · 3 crew2010s2 · 1 acting · 2 crew2020s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

Awards

3 major nominations and no wins, 2014–2021.

  1. 2021
    • Oscar, nominated · Best Animated Feature Film
    • BAFTA Award, nominated · Best Animated Feature Film
  2. 2014
    • BAFTA Award, nominated · Best Animated Film

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Dan Scanlon's films land?

Their typical MovieCove film has a Midcredits score in the 89th percentile, the median of all 9; across their 7 films with reception data, the typical film sits in the 84th percentile for acclaim.

Acclaim · how much people like their films

84thpercentile
Typical film, the median of 7

Approval · how many liked their films

88thpercentile
Typical film, the median of 7

Reach · how many have seen their films

90thpercentile
Typical film, the median of 7

Midcredits score across 11 titles, by percentile

  • 75th and up9
  • 50th to 74th1
  • 25th to 49th1

Shape of the crowd

None of their 11 titles divides audiences: 8 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser8
  • Broadly Agreed1

Reviewers score the atmosphere 71/100 and the pacing 57/100 in their films, across 7 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Dan Scanlon's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and alcohol & drugs run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore7 titles10–28 · median 15 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity8 titles6–32 · median 15 · minimallighter than most filmsMedian of all films: 32
Profanity7 titles6–21 · median 9 · minimallighter than most filmsMedian of all films: 36
Alcohol & Drugs7 titles3–12 · median 10 · minimallighter than most filmsMedian of all films: 33
Frightening / Intense7 titles29–35 · median 33 · mildnear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Dan Scanlon work with?

People who share at least 2 of Dan Scanlon's MovieCove titles, grouped by what they did on them; Pete Docter shares the most, 7.

Directors

Writers

Actors

Cinematographers and editors

Producers