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Ine Schenkkan

Ine Schenkkan

Editor · Died June 5, 2001, aged 59 · Bukittinggi, West Sumatra, Indonesia

Born
December 21, 1941
Died
June 5, 2001 (aged 59)
From
Bukittinggi, West Sumatra, Indonesia
Works as
Editor
Titles
6 on MovieCove · 9 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 23% in 30 days

What are Ine Schenkkan's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
36%
Bonds
18%
Power
14%
Morality
14%
Survival
10%
Society
4%
Ideas
3%
Romantic love3 titles, browse their movies with this themeClass2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 2 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 3 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 3 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Dread
2
Romantic
1
Hopeful
1
Joyful
1
Other
4

How their films linger

Thought-provoking2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end

  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ine Schenkkan's films?

As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Also on these channels

Subscription and free streaming for Ine Schenkkan's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 6 with a MovieCove page.

  • Flodder (not in the MovieCove catalog yet)(1993)

    Show 4 episodes · Director

  • Flesh+Blood(1985)

    Editor

    Midcredits score: 69th percentile of all films

  • Frontier (not in the MovieCove catalog yet)(1984)

    Editor

  • The 4th Man(1983)

    Editor

    Midcredits score: 85th percentile of all films

  • Two Queens and One Consort(1981)

    Editor

    Midcredits score: 37th percentile of all films

  • Spetters(1980)

    Editor

    Midcredits score: 69th percentile of all films

  • A Woman Like Eve(1979)

    Editor

    Midcredits score: 50th percentile of all films

  • Pallieter(1975)

    Editor

    Midcredits score: 42nd percentile of all films

  • Rufus (not in the MovieCove catalog yet)(1975)

    Editor

Career shape

A full career of 9 titles from 1975 to 1993.

Biggest box office

Flesh+Blood (1985)

$278 worldwide

Highest rated

The 4th Man (1983)

Midcredits 85th

Most popular right now

Flesh+Blood (1985)

By role

only this rolewith another role
Directing1 of 9: 1 only directing, 0 with another roleEditing8 of 9: 8 only editing, 0 with another role · typical Midcredits score60th

By decade

1970s3 · crew1980s5 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ine Schenkkan's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 68th percentile for acclaim.

Acclaim · how much people like their films

68thpercentile
Typical film, the median of 5

Approval · how many liked their films

66thpercentile
Typical film, the median of 5

Reach · how many have seen their films

76thpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th2

Shape of the crowd

3 of their 6 titles are Crowd Pleasers.

  • Crowd Pleaser3
  • Broadly Agreed1
  • Mixed2

Most divisive · editor

Two Queens and One Consort (1981)

62nd percentile spread · 22% rated it 4 or lower

Most loved · editor

The 4th Man (1983)

Midcredits 85th · 74% liked

Reviewers score the pacing 51/100 in their films, across 4 reviewed titles; fans 59, detractors 32. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Ine Schenkkan's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 77 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Ine Schenkkan work with?

People who share at least 2 of Ine Schenkkan's MovieCove titles, grouped by what they did on them; Paul Verhoeven shares the most, 3.

Directors

Writers

Actors

Cinematographers