Leo Scherman

What are Leo Scherman's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Leo Scherman's films?

As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (5).

• Tubi5 titles, browse their movies on this service
  • Pretty Cheaters, Deadly Lies (2020) · director · free
  • Trench 11 (2017) · director, writer · free
  • Is There a Killer in My Family? (2020) · director · free
  • Never Forget (2008) · director · free
  • Living Death (2006) · writer · free
• Pluto TV2 titles, browse their movies on this service
  • Pretty Cheaters, Deadly Lies (2020) · director · free
  • Is There a Killer in My Family? (2020) · director · free
• Prime Video2 titles, browse their movies on this service
  • Pretty Cheaters, Deadly Lies (2020) · director
  • Never Forget (2008) · director

Subscription and free streaming for Leo Scherman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

• 

  The Weight(2026)

  Producer · Writer

  Midcredits score: 77th percentile of all films77^th
• 

  Is There a Killer in My Family?(2020)

  Director

  Midcredits score: 18th percentile of all films18^th
• 

  Pretty Cheaters, Deadly Lies(2020)

  Director

  Midcredits score: 21st percentile of all films21^st
• 

  Deadly Deception(2018)

  Show Director

  Midcredits score: 49th percentile of all shows (provisional, few ratings)~49^th
• 

  Trench 11(2017)

  Director · Writer

  Midcredits score: 20th percentile of all films20^th
• 

  The Carbonaro Effect(2014)

  Show Director

  Midcredits score: 67th percentile of all shows67^th
• 

  Never Forget(2008)

  Director

  Midcredits score: 11th percentile of all films11^th
• 

  Living Death(2006)

  Writer

  Midcredits score: 8th percentile of all films8^th

Career shape

Across their 8 MovieCove titles from 2006 to 2026.

Biggest box office

The Weight (2026)

$2.4M worldwide

Highest rated

The Weight (2026)

Midcredits 77^th

How do Leo Scherman's films land?

Their typical MovieCove film has a Midcredits score in the 19^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 29^th percentile for acclaim.

Shape of the crowd

6 of their 8 titles are Mixed.

116

• Crowd Pleaser1
• Broadly Agreed1
• Mixed6

Most divisive · director

Never Forget (2008)

78^th percentile spread · 54% rated it 4 or lower

Most loved · writer, producer

The Weight (2026)

Midcredits 77^th · 64% liked

Reviewers score the atmosphere 59/100 and the pacing 41/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Leo Scherman work with?

People who share at least 2 of Leo Scherman's MovieCove titles, grouped by what they did on them; Matthew Booi shares the most, 2.