Deborah Schindler

What are Deborah Schindler's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Deborah Schindler's films?

As of October 24, 2026, 6 of their 12 MovieCove titles stream on a subscription or free service.

• Disney+1 title, browse their movies on this service
  • How Stella Got Her Groove Back (1998) · producer
• Paramount+1 title, browse their movies on this service
  • Maid in Manhattan (2002) · producer
• Pluto TV1 title, browse their movies on this service
  • Mona Lisa Smile (2003) · producer · free
• Tubi1 title, browse their movies on this service
  • Maid in Manhattan (2002) · producer · free

Subscription and free streaming for Deborah Schindler's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 12 with a MovieCove page.

• 

  Monte Carlo(2011)

  Executive Producer

  Midcredits score: 55th percentile of all films55^th
• 

  Perfect Stranger(2007)

  Executive Producer

  Midcredits score: 27th percentile of all films27^th
• 

  Molly: An American Girl on the Home Front(2006)

  Executive Producer

  Midcredits score: 69th percentile of all films69^th
• 

  Felicity: An American Girl Adventure(2005)

  Executive Producer

  Midcredits score: 68th percentile of all films68^th
• 

  Little Black Book(2004)

  Producer

  Midcredits score: 24th percentile of all films24^th
• 

  Samantha: An American Girl Holiday(2004)

  Producer

  Midcredits score: 80th percentile of all films80^th
• 

  Mona Lisa Smile(2003)

  Producer

  Midcredits score: 71st percentile of all films71^st
• 

  Maid in Manhattan(2002)

  Producer

  Midcredits score: 29th percentile of all films29^th
• 

  How Stella Got Her Groove Back(1998)

  Producer

  Midcredits score: 42nd percentile of all films42^nd
• 

  Waiting to Exhale(1995)

  Producer

  Midcredits score: 57th percentile of all films57^th
• 

  Prelude to a Kiss(1992)

  Associate Producer

  Midcredits score: 31st percentile of all films31^st
• 

  After Hours(1985)

  Associate Producer

  Midcredits score: 96th percentile of all films96^th

Career shape

A full career of 11 titles from 1985 to 2011.

Biggest box office

Maid in Manhattan (2002)

$155M worldwide

Highest rated

After Hours (1985)

Midcredits 96^th

Most popular right now

Mona Lisa Smile (2003)

How do Deborah Schindler's films land?

Their typical MovieCove film has a Midcredits score in the 56^th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 63^rd percentile for acclaim.

Shape of the crowd

8 of their 12 titles are Mixed.

28

• Universally Loved1
• Crowd Pleaser2
• Broadly Agreed1
• Mixed8

Most divisive · producer

Molly: An American Girl on the Home Front (2006)

71^st percentile spread · 15% rated it 4 or lower

Most loved · producer

After Hours (1985)

Midcredits 96^th · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Deborah Schindler's work okay for kids?

Across up to 8 MovieCove titles with content scores, sex & nudity runs heavier than most films and violence & gore and frightening / intense lighter.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Deborah Schindler work with?

People who share at least 2 of Deborah Schindler's MovieCove titles, grouped by what they did on them; Elaine Goldsmith-Thomas shares the most, 7.