Michael Schmidl

What are Michael Schmidl's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael Schmidl's films?

As of October 24, 2026, 2 of their 8 MovieCove titles stream on a subscription or free service.

• Prime Video1 title, browse their movies on this service
  • Rommel (2012) · producer
• Tubi1 title, browse their movies on this service
  • Rommel (2012) · producer · free

Subscription and free streaming for Michael Schmidl's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

• 

  13 Minutes(2015)

  Producer

  Midcredits score: 78th percentile of all films78^th
• 

  Blütenträume(2015)

  Producer

  Midcredits score: 38th percentile of all films (provisional, few ratings)~38^th
• 

  Die Auslöschung(2013)

  Producer

  Midcredits score: 81st percentile of all films81^st
• 

  Die Heimkehr(2012)

  Producer

  Midcredits score: 49th percentile of all films49^th
• 

  Rommel(2012)

  Producer

  Midcredits score: 65th percentile of all films65^th
• 

  Calm at Sea(2011)

  Producer

  Midcredits score: 69th percentile of all films69^th
• 

  Bis nichts mehr bleibt(2010)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  Pope Joan(2009)

  Producer

  Midcredits score: 71st percentile of all films71^st

Career shape

Across their 8 MovieCove titles from 2009 to 2015.

Biggest box office

Pope Joan (2009)

$29M worldwide

Highest rated

13 Minutes (2015)

Midcredits 78^th

How do Michael Schmidl's films land?

Their typical MovieCove film has a Midcredits score in the 70^th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 69^th percentile for acclaim.

Shape of the crowd

None of their 8 titles divides audiences: 7 are Crowd Pleasers.

71

• Crowd Pleaser7
• Mixed1

Most loved · producer

Die Auslöschung (2013)

Midcredits 81^st · 76% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Michael Schmidl work with?

People who share at least 2 of Michael Schmidl's MovieCove titles, grouped by what they did on them; Christine Strobl shares the most, 3.